Jetty Crescent Tote

Jetty Crescent Tote

Noodlehead’s Crescent Tote has been on my list since I first saw it in an issue of Making magazine. Like all of Anna’s designs, I loved the sophisticated shape and thoughtful details. Plus, it looked like something I would enjoy using. It’s not too big, but it’s big enough to hold a few things when you need to. A Jetty Crescent Tote was just what I wanted.

To start, I wanted to use one of the special prints in Jetty. These designs feature one color running along one side of the fabric and another color running along the other side. I love these prints, because they’re like a two-for-one. You have so many options on how you can use them.

jetty fabric . carolyn friedlander

Any of the colors could work great, and I decided to go with the green. I’ve been in such a green mood lately! I used the dark green side of the print for most of the exterior, and then the lighter side for the lining. (1-1/2 yards of the print is all you need.)

As a bonus detail, I cut the exterior pocket pieces with a bit of the lining side included and in the opposite direction. The direction of the grid is rotated, and you get that fun, grey band in the center. This adds a nice detail with hardly any extra effort.

Since this is quilting-weight cotton fabric, I used a little extra interfacing than was recommended. In addition to the fusible fleece on the exterior pieces, I also interfaced them with SF 101 before adhering the fleece. I interfaced everything else as suggested in the pattern, and I think it worked out great. The bag stands up nicely and holds its own.

The pockets on this bag are just what you need. There’s a smaller zipper pocket inside and another zipper pocket on the outside. If you like to carry your bag on your left shoulder, I’d recommend reversing the exterior pocket. After a shoulder injury on my right side earlier this year, I’ve been trying to do more with my left, including how I carry bags. I made this bag as designed, and so the next time I make it, I’ll probably swap the front pocket to the other side.

Pattern: Crescent Tote by Noodlehead

Fabric: Jetty (1-1/2 yards of this print is all you need for the exterior and lining)

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Eads Jetty Quilt and a new approach to layout and color.

This Eads Jetty quilt is my third Eads quilt and a new approach to layout and color. (See the first version here and second QAL version here.)

Quilt making is inspiring; you can take the same design, but make it totally different by swapping out some of the variables.

In this project I wanted to sew up all of my Jetty and Collection CF fabrics into a colorful progression. My fabric collections are always intended to work well together, and these two groups relate especially well. The colors from one round out and complement the colors and textures in the other.

Fabric first…

Conveniently this project can be made from a Fat Quarter bundle of Jetty and a Fat Eighth bundle of Collection CF. You’ll also need a little bit extra of one of the prints–an eighth of a yard additional does the trick. (This one is my pick.) After gathering the fabrics together, I organized them into a pleasing array of colors. Then I cut the block strips (as described in the instructions.)

I can’t stress how much I enjoy working on a project in this way. It’s not only satisfying seeing colors beautifully arranged, but it’s also a thrill to work through new colors and combinations as you sew up your blocks.

Mapping out the color…

Starting with the darkest blues, I arranged the strips progressing to lighter blue, green, yellow, cream, white, peach, pink, orange, brown and black. Even with this same set of colors, I know you could graduate the colors in any number of other good ways.

One note on working with the colors…

While I ordered my fabrics by color, I did sometimes shift choices up or down when/if I wanted to give the block a little more contrast. In many cases I used neighboring choices as planned, but in some cases I offset a choice as desired. Since each block is made with 2 fabrics, it’s easy to plan out these choices. Here is what it looked like for me.

Above my strip pile is on the right, and my pairings are lined up in order on the left.

Approaching the layout…

Unlike my previous Eads quilts where blocks are mixed up and rotated as I wished, in this project I wanted all of the blocks to be in a repeated and symmetrical order. After prepping my fabric strips, selecting their color flow and printing my block templates, it made things easy to work down the block pile.

Because I know how some things can get shuffled, I numbered the back side of every block.

After the blocks were all sewn up, I couldn’t wait to get it all laid out. Again, this type of project is so satisfying to me, especially at this point.

Finishing the quilt…

After sewing the top together, I was eager to quilt it but not initially sure how I’d do it. I wanted something fairly simple that wouldn’t stand out too much, but I also wanted something to give it some nice texture and maybe even a little added color. I like the overall transition of color across the quilt and thought the quilting could be a great place to layer more of that in.

In the end, I did horizontal rows of big stitch hand quilting in colorful threads across the width of the quilt at the bottom of each row. Then I free motion quilted vertical lines across each row of blocks in colors that matched the fabrics.

It was really fun quilting this quilt. I quilted by hand and by machine and with many different colors.

pattern: Eads quilt pattern

fabric: Jetty and Collection CF

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QuiltCon 2020

Adventures in QuiltCon 2020, Austin, Texas.

QuiltCon 2020 quilt label by Niku (@xostitches)
QuiltCon 2020 quilt label by Niku (@xostitches)

Did you go to QuiltCon 2020 in Austin, Texas? I’m back, and I thought I’d share a little bit from the adventure.

I taught 4 workshops; my Hunt quilt project (above), 2 quilting strategy classes (not pictured) and Lott Mini quilts (below).

On the show floor, it was definitely an honor to have placed 2nd in the Modern Traditionalism category for my Arlo quilt.

On the last day, I managed to walk the entire show–a delight! With a free afternoon, my priorities were to see all of the quilts, and if I had extra time, to check out the vendors too. I managed to pull off both. Win, win.

Two other quilts of mine hung in the show, Hearts and Eads Jetty. There was something special about the show layout, and it created a pleasant experience walking the aisles. I was very pleased with how all of the quilts related to their quilty neighbors. Debbie Grifka (@debbiegrifka) is my Hearts neighbor above and Stephanie Schroer (@stepschr) is my Eads Jetty neighbor below.

In the Soak booth, I spotted an original print from Architextures and my Pineapple Grove Flatter scent. They had an interactive thing going on where you could press a block and add it to their design wall.

Sewing Party had some really beautiful Wildabon and Collection Quilt samples made up in many of my fabrics. I am totally tempted to make other versions of these…

Jetty in the wild! Here are some delicious bundles made up by Superbuzzy.

My Everglade quilt was in the Superbuzzy booth as well.

How about I stop there for now? I can do a second post with other quilts and show stuff. If you were at QuiltCon 2020 in Austin, what were some of your highlights? Or, if you were watching from afar, what did you think?

Thank you to anyone who took my classes, commented on my posts, posted pictures of my quilts or said hi in person.

++ I did manage to save a few special totes from the show. Make sure you’re subscribed to my newsletter, because I’ll announce there first when/how to get one.

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