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Howard Block on Creative Bug.

Have you been following the Block-Of-The-Month series on Creative Bug? Well, it’s time for another block from me. Meet my Howard block.

Howard Block on Creative Bug . Carolyn Friedlander

It’s a somewhat speedy, architecturally-inspired block that is fun to whip up. I mixed and matched some of my prints from architextures and doe, but I can see things changed up in many different ways. In this class, you’ll learn how easy it is to paper piece this guy, and I’ll bet you can get a few whipped out easily in an afternoon.

So what do you think?

Happy Howard making!

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Totem Quilt in Euclid.

Would you believe I made this in just 1 day?

It’s true.

Totem quilt in Euclid . Carolyn Friedlander

That’s kind of what happens when it comes to fabric release time. There’s always a super long list of things I’d like to make in conflict with time and the reality of what actually can be done. To be clear, I’m always an optimist when it comes to this stuff and work hard to use every minute that I have available. In the case of Euclid, my to-make list was no joke.

euclid project planning . carolyn friedlander

In fact, I tried to be super organized to maximize the output. Above is a shot of my “command center”. (Ha!) This was my visual map and guide to the desired projects. Since euclid spanned several categories–clothes, accessories, quilts–I needed a way to organize them in one place to keep me focused, and I needed to be able to see them all at a glance…because visuals are the best reminders for me. The projects are organized by category with snap shots of each and some fabric swatches.

Maybe this is more than you want to know, but while I was doing this, I realized that it’s a helpful consideration for just about anyone, because we all have our limitations–whether it’s because a project list is long or because we have limited pockets of time to do it or whatever. For this reason, I’m always trying to figure out the best ways to organize myself so that I can make things happen when I’ve got the time to do it.

Oh, and can we talk about the waiting game? Yep, just like you might be waiting for fabric to hit the store, I have to wait for my advance yardage to roll in, and the waiting can be tough, because you’re only left thinking/dreaming about all that you want to make with it, which for me usually means the project list gets longer…not always a good thing, but even more of a reason why some good project planning can be helpful.

Anyway, back to my quilt.

Totem quilt in Euclid . Carolyn Friedlander

I really really wanted to make a quilt with euclid in time for the release. And I really wanted to include some carkai, because I love pairing different substrates and different prints in the same piece. It can be a fun way to play with texture and an enticing way to play with color and print. My Totem quilt was a good candidate for doing this. There is a lot of opportunity with fabric and fabric combos, plus the paper piecing makes working with different types of fabric super easy, and the size and scope of the project seemed do-able for my limited amount of time.

Totem quilt in Euclid . Carolyn Friedlander

Let’s talk game plan. I only had 1 day to make this quilt a reality. Actually, scratch that, it wasn’t even a day. Lexi was coming late afternoon for the photo shoot, and I only had from the time I woke up until the time she stepped in the door to make this guy happen. Here’s what I did.

The night before I printed out all of my templates and trimmed them down so that they were ready to go. I also prepped my fabrics, which in this case meant culling and cutting what I wanted to include in the project.

Totem quilt in Euclid . Carolyn Friedlander

Then, I got a good night’s rest and woke up super early to get started. As I made my blocks, I laid them out to make sure I liked how all was progressing. I find that block planning can only get me to a certain point, and that even with limited time I like to be open to making changes as I go if needed. Seeing and assessing while a project shapes up is how I work, even under a deadline.

After getting all of the blocks made, I added the side panels to finish the top, prepped my backing and batting, basted the project…did my hand quilting…because yes, I really wanted that to be included…then I finished with some free motion quilting…doable.

Totem quilt in Euclid . Carolyn Friedlander

I attached the binding just before Lexi showed up to take some pictures. And I guess there was a little cheating here. I attached the binding on the first side with machine, but didn’t have time to hand tack the back down before the shoot…that part was pinned (another great use for those handy appliqué pins!) until I attached it post-shoot. (Sneaky, right…)

Totem quilt in Euclid . Carolyn Friedlander

So yeah, that’s the story of this quilt. I’m glad it happened. And don’t think I won’t come back to this project again, because I’ve had fun making it every time. (See here and here.)

Totem quilt in Euclid . Carolyn Friedlander

And the nice thing was that I ended up leaving it pinned in place for a few weeks after the shoot and was able to enjoy it.

Totem quilt in Euclid . Carolyn Friedlander

Pattern : Totem Quilt (wall hanging size)

Fabrics : Euclid and Carkai

(All photos by Alexis Wharem of Greenprint Photography.)

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Maddermade Making Magazine.

Native Coasters in Maddermade Making

I was delighted to contribute a project to the new Maddermade Making Magazine. It’s such a beautiful, beautiful book with many inspiring projects ranging from knitting to sewing to cooking and much more. The theme for this first issue is flora, a great theme that resulted in some super lovely projects. In addition to that, the photography and styling by Carrie Bostick Hoge of Maddermade could not be any more elegant, enticing or inspiring. It is all so incredibly lovely.

Maddermade Making Magazine

My project, Native Coasters, is a fun weekend project full of color and texture.

Native Coasters in Maddermade Making

I liked pairing linear piecing with flora-esque and hand drawn fabrics. I used some new euclid, one of the newer doe pieces, some crosshatch from architexturesNative Coasters in Maddermade Making

and some bold carkai on the back for a nice contrast.

Native Coasters in Maddermade Making

Native Coasters in Maddermade Making

I loved playing up the texture in both the fabric substrates, the prints and the quilting/hand tying itself. Small projects like these are perfect for experimenting and having fun.

Native Coasters in Maddermade Making

Unfortunately, this first issue is already sold out, BUT the good news is that issue #2 is on the horizon, and I’m sure it’ll be just as worthwhile.

Native Coasters in Maddermade Making

(All photos by Carrie Bostick Hoge.)

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