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Euclid Fabric

Euclid Fabric

Good news, I have a little something to share.

Meet, Euclid–my newest fabric collection for Robert Kaufman. Euclid is quite a bit different from my other collections. First, this is an overprinted collection onto Essex–a linen/cotton blend and one of my favorite substrates from Robert Kaufman. All of my previous collections have been printed on their quilting cotton base, which means the look and feel of Euclid is a little bit different. Plus, it makes it so well-suited for tons of tasks at hand–garments, bags and accessories, and quilts.

Euclid Fabric . Inari Tee Dress . Carolyn Friedlander

Totem Quilt in Euclid Fabrics . Carolyn Friedlander

Next, there are just 6 pieces to this collection. I’ve typically been a 1-collection-a-year kind of gal, which is why it has been supremely important to me that this collection offers things that my previous collections have not. And being just 6 pieces, meant I thought over and over (and over) about each one of them to make sure that they each brought plenty to the table and could be used for many many different things and in many many different ways. They’re a hardworking group!

Hesperides Shams . Euclid Fabric . Carolyn Friedlander

That’s the general overview. You can read more about the collection, see tons of projects (including my new ones!) and find out more about why this type of collection is so special to me by taking a look at this special Lookbook that I put together.

A big big thank you to Robert Kaufman for supporting not only this project, but for always supporting me in all the ways that they do. (And for creating some of the best fabric out there! If I do say so myself…)

Euclid fabric lookbook projects . Carolyn Friedlander

I owe a big thank you to Anna Graham (of Noodlehead) who created a special project (and free pattern) for this collection. You can see it in the Lookbook as well.

And another super big thank to you Alexis Wharem of Greenprint Photography here in Lake Wales. You might remember Lexi, because she is also responsible for all of the photography in my book, as well as the technique shots from my Collection Quilt pattern. It’s always a pleasure working with her, and she was able to capture the collection exactly how I imagined it.

I’ll be sharing more about all the projects in the coming weeks, so stay tuned.

I the meantime, thanks again for all of your support. I really hope you like this new collection.

Euclid Fabric Swatches . Carolyn Friedlander

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Needle-turn Applique Class with Creative Bug.

Good news, my first class with Creative Bug is now live–yay! It’s all about one of my favorite techniques–needle-turn applique.

Carolyn Friedlander's Needle-Turn Applique Class with Creative Bug

I filmed with Creative Bug last August, and have been eager to share with you the fruits of our labor. The Creative Bug team is incredibly talented and passionate about what they do, which is why I was thrilled to get the chance to work with them.

In this first class, I show you how I like to do needle-turn applique in an Hawaiian-inspired block which features fabrics from my newest collection, Carkai.

I hope you like it!

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Scrappy Collection and Liberty Aerial Grove Quilts.

Something about the New Year has had a positive influence on getting some WIPs back into rotation. My Scrappy Collection and Liberty Aerial Grove quilts are two of my favorites. Both of these are totally personal projects, meaning they have no deadline and no intended purpose other than for my own pure enjoyment.

Scrappy Collection Quilt . Carolyn Friedlander

First up is my scrappy collection quilt that I started shortly after this most recent Spring Market in May 2015. (See blog posts here and here.) As predicted in the last post, it had to go into hibernation while I worked on the carkai and fall pattern release. But as soon as all of that and some end-of-year madness was over, my scrappy collection quilt was one of the very first personal projects that I pulled back out. In fact, this is what my New Year’s Day in the studio looked like.

scrappy collection quilt borders. carolyn friedlander

It was a fun day of pull-everything-out-and-throw-it-on-the-floor to decide what to use for borders and what to use for backing. I decided to add enough borders to make it bed sized. To do that, I used more printed fabric from my stash as well as a print from carkai to surround the assembled blocks.

As for the back, I initially hoped my new Widescreen fabrics would be in. The light blue seemed like it’d be perfect for the back. But alas, they weren’t and I didn’t want to wait. With personal projects, it is best to strike when the iron is hot, because you never know what will be needing your attention later. What I ended up with felt pretty exciting. I scrapped it up with some carkai, some doe and a big piece of Kona highlight.

Scrappy Collection Quilt . Carolyn Friedlander

While making my first Collection quilt, I initially felt the urge to hand quilt it…entirely. Unfortunately timing didn’t allow for that, so it became a hybrid of hand and machine quilting, which I was happy with in the end. With this one, I’ve always figured that I’d hand quilt it, but now that I’ve started, I can’t stop thinking about throwing in some machine work too. We’ll see. I’m open to basing all decisions on what feels right as I go.

Scrappy Collection Quilt . Carolyn Friedlander

Scrappy Collection Quilt . Carolyn Friedlander

Next up is my Liberty Aerial Grove. Also a favorite, and also one that’s been sitting on the shelf. (See previous updates here, here, here and here.)

Liberty Aerial Grove quilt . Carolyn Friedlander

This one was started over a year ago. It’s one of the projects in Savor Each Stitch, and something I teach fairly often. In fact, I totally got the idea for this version after one of my students brought Liberty to work on in class. I LOVED the idea, because it seemed like an amazing way to use these beautiful fabrics. Liberty can be an indulgence to partake of at the fabric store, which is why a project that uses small amounts of it can be smart and economical. Plus, the many beautiful small-scale prints work so well in a project like this. Depending on what you decide to do with the background or layout, you will show them right off.

Liberty Aerial Grove quilt . Carolyn Friedlander

My backgrounds are a textured mix of chambrays, Essex linen, railroad denims and my printed quilting cottons (architextures, doe). I like how the rich blues set off the pretty prints.

Liberty Aerial Grove quilt . Carolyn Friedlander

Originally, I was just going to do as many rows as the project in the book has, but after collecting bits I ended up with enough to make a couple of extra rows. There are 6 rows photographed here, but I just finished appliquéing a 7th. While I wouldn’t be upset about cutting out fabrics for an 8th row, I think it’s time to call this guy done and move on to the borders to finish up the top.

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