Tag Archives | color

Meet Babson.

Last up of the newbies is Babson, a very graphic and fun-to-sew project.

Babson Quilt Pattern . Carolyn Friedlander

This quilt is kind of like Eads in that it’s super mix and matchable, works with a bunch of different fabrics, can be made without a ton of planning and has a huge amount of possible outcomes. It’s about fabrics, shapes and colors playing together in all kinds of ways.

Babson Quilt . Carolyn Friedlander

Unlike Eads (which works with fat quarters), Babson starts with 5″ squares. I find that when you have an easy increment to start with, it’s much easier to grab a pile of stuff you’re interested in (or just a few things) and get to sewing. What’s better than that?

Babson Quilt . Carolyn Friedlander

On the pattern-design side, there’s also a big part of me that loves the challenge of figuring out possibilities for 5″-square packs. They can be so enticing, and I have many stacked around in the studio. This project can work well with them.

Babson Quilt . Carolyn Friedlander

In this first version, maybe you’ll notice how my blocks are broken down into quadrants, each having its own coloring. One quadrant uses one 5″-square pack, plus 4 fat quarters. (Or you can also just use fat quarters for the whole thing.) I liked this formula because it makes it a much easier undertaking. Rather than feeling overwhelmed by a heap of blocks and fabric, you can work on it in sections, as well as flavor each section a little bit differently.

Babson Quilt . Carolyn Friedlander

I used the same 5″-square pack of Polk for each quadrant, but in each group I added 4 different coordinates, so they each look a little bit different. Here’s what I added.

Babson Quilt Swatches . Carolyn Friedlander

Bottom left – Kona Roasted Pecan, Essex Yarn (Dyed Berry), Architextures (Sorbet, Orangeade)

Babson Quilt Swatches . Carolyn Friedlander

Top left – Architextures (Desert Green), Kona Parchment, Essex Classic Wovens (Natural), Essex Yarn Dyed (Chambray)

Babson Quilt Swatches . Carolyn Friedlander

Top right – Kona Paris Blue, Architextures (Acid Lime), Essex Yarn Dyed (Pickle), Essex Classic Wovens (Chambray)

Babson Quilt Swatches . Carolyn Friedlander

Bottom right – Kona Sea Glass, Essex Classic Wovens (Natural), Architextures (White), Essex Homespun (Chambray)

Babson Quilt Swatches . Carolyn Friedlander

In the end, I like the cohesion of the whole thing, and then I also like noticing the differences of the sections once you start looking closer. It was entertaining to sew, because each section presented new colors and possibilities.

Babson Quilt . Carolyn Friedlander

The next version started with this Melon Kona charm pack. I’m not normally a pink person, but the mix of oranges and peaches pack a nice punch, and I was totally enamored.

Melon Babson swatches . Carolyn Friedlander

Instead of making the larger throw size as before, I wanted to make a wall hanging, which is basically just a 1/4 of what’s required for the throw. After much debate, my additions to the Melon charm pack for this version were 2 pieces from Polk (AFR-17841-380, AFR-17841-14), plus Kona Orangeade and Kona Lingerie.

Melon Babson swatches . Carolyn Friedlander

These additions add brightness, texture and little bit of print.

Melon Babson swatches . Carolyn Friedlander

The blocks in this design are super versatile, and I tried to push them in a different direction than in the first version. Here I gathered all of the same-direction shapes at the top, and the other-direction shapes at the bottom. As much as possible, I used the orangey-brights to create the L’s, but then shifted it a bit as you get to the bottom.

Babson Quilt . Carolyn Friedlander

Now that I’ve made two, I still have ideas for a few more. Plus, I have some other charm packs lying around that I think will be fun.

Babson Quilt . Carolyn Friedlander

That’s Babson! I can’t wait to see what you make. You can ask about it at your local quilt store, or you can also find the digital version available here.

Babson Quilt . Carolyn Friedlander

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Meet Lusk.

Meet Lusk, a new pattern for some (mini) quilts.

Lusk Quilts . Carolyn Friedlander

I love mini quilts. There’s so much you can do with them! They make great gifts, are perfect for swaps and I’m not sure there’s any easier way to decorate your space. Plus, I love how the smaller format allows you to get really creative without too much commitment and pressure–OR it can help you get more comfortable with a technique. Don’t get me wrong, big projects can be great too, but there’s something special about a project that can get your creative juices flowing, make you feel good about a finish and leave you inspired for whatever comes next.

Polk Lust Quilts . Carolyn Friedlander

I find that I come up with new ideas all the time while I’m sewing. In this way, making minis is such a creative kickstarter for me. Because of this, I’ve been wanting to make some mini quilt patterns for a while now, and Lusk is just the beginning. With this one, I’ve been thinking about how some of my existing designs can be reconsidered on a smaller scale, and how it might be fun to reimagine sets of shapes mixed and matched up in new ways.

Polk Lust Quilt . Carolyn Friedlander

You might recognize some familiar bits from some of my other patterns. Lusk takes ideas from Sessoms and Tangelo, plays with the scale of both and adapts them in ways that they can work together. I love this because even though they are two different designs, bringing them together means there are many new ideas to play with.

I outline 3 specific versions in the pattern, but the units work really well together, and if you wanted to come up with more, you totally could! The first (A, above) is a mix of all blocks included in the pattern. The second (B, below) uses just the third block option in the pattern.

Polk Lust Quilt . Carolyn Friedlander

The third version (C, below) uses just the first 2 blocks in the pattern. Depending on what you’re going for, you can dress these guys up in all kinds of ways.

Polk Lust Quilt . Carolyn Friedlander

These minis were a great place for me to start when I first got my hands on my newest fabric collection, Polk. Working on a smaller scale allowed me to see how certain fabrics might work together, and it definitely inspired many of the fabric combinations in my subsequent projects.

Lusk Quilts . Carolyn Friedlander

Lusk means you can explore a lot in a small amount of time and with not too many supplies. I’ve since whipped up a few more, and I’ll be sharing them in the coming weeks.

Lusk Quilts . Carolyn Friedlander

You can ask for Lusk at your local quilt store, or you can also find the digital version available here.

Lusk Quilt Pattern . Carolyn Friedlander

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WainwrightAL #5: Your Projects.

WainwrightAL #5: Your Projects.

Sometimes it’s good to take a step back from your own project and change the scenery! This is why I thought it’d be fun to see what others are working on. You guys are rocking this!


@andrea_nham with a really nice blue, green, grey and yellow thing happening. Bonus points for having a matching pouch!


@ayragon has loads of big blocks underway. There’s something nice about being able to see more of the prints at play in the larger format.


Speaking of prints…@bekimmerly is making good use of some fun prints. I like how she’s positioned the trees so nicely inside the shapes. Way to work the prints!


@blueskycrafter just made it to a layout stage, and I know she must be satisfied to see everything all together. Even though it’s not my project, I’m feeling super satisfied for her–it’s looking great!


@brakmack1997 is really working the 2-color combo. I love how visually enticing it is to use just 2 fabrics. It’s such a fun play with the shapes.


@court9702 is using lots of dots and stripes. It’s wonderful! I love how something like this can be completely timeless.


Using all solids results in a totally different look. @nies_co_creations is using just the right mix of blues, it’s lovely to look at.

As for me, I’ll give you a good flashback to my first version.

Carolyn Friedlander . Wainwright Quilt

I stared at this thing SO much. Not only while cutting out each block, but also after each appliquéd row, I’d stand back and assess how it was looking. I might move one block here, another one there…maybe I’d swap out an appliqué or background each time… I love this way of working. You can see some of my extra pieces toward the bottom. I kept plenty of options open.


+ Taking a step back can be great. It allows you some space to think of other things, which often brings a freshness back to your project.

+ Swap out your needle! It’s pretty amazing how you start to wear them down. Now that you’ve been sewing along, I’m sure you’re starting to pick up on the subtleties of everything you’re working with. Freshen that needle, and you’ll be amazed how much it will freshen your stitches.

+ You all gave me some watching recs, and here’s one that I’ve recently enjoyed. If you like houses in amazing locations, I just watched The World’s Most Extraordinary Homes on Netflix. Each episode is grouped by location–mountain, coast, etc, and they span locations all over the world. I like how beautiful the homes and locations are, as well as how they talk about building challenges, design advantages, and other stuff. Plus, one of the hosts is an architect and he does some pretty fun sketches on site to highlight aspects of the projects. It’s definitely a beautiful watch!

If you’re just now joining in and looking for a copy of the pattern, here’s a link to the digital version in my shop.

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