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WainwrightAL #1: The Pattern and The Plan.

WainwrightAL #1: The Pattern and The Plan.

To kick things off, I thought it would be appropriate to talk a bit more about the pattern, and then my plan for moving forward with my own project as well as in general. Plans are good, being excited about them might be better.

First, the pattern. Wainwright was inspired by and named after the Wainwright building in St Louis. If you’ve seen it or other Louis Sullivan buildings, you know that the ornamentation is incredible. There are so many beautiful motifs, and it was easy to become very inspired.

Wainwright Building . St Louis, Missouri

As a quilt, I love appliqué patterns that offer a lot of design possibilities, are fun to sew (because you’ll be getting right in there with it), and can be easy to travel with. With this one, I went for all of that by taking one basic motif and breaking it up in a way that could be mixed and matched among the blocks and with few or many fabrics.

Wainwright Quilt . Carolyn Friedlander

Appliqué projects are always great for finding new color and fabric combinations, because once you cut out the shapes and layer them on a background, you can actually see what it’s basically going to look like. How cool is that? If you aren’t liking it, you can easily make a change by swapping out the background or by changing the appliqué (the top layer, or the shape). This is probably why I always have SO many appliqué projects cut out–because it’s way too tempting to cut them out to see what an idea will look like.

With this first version, I was most excited about using my new Gleaned collection and its coordinates. I used pieces from all of it.

gleaned fabric collection . Carolyn Friedlander

gleaned fabric architextures coordinates . Carolyn Friedlander

Appliqué projects can be great for fussy cutting motifs and making use of special stuff–like the special selvage treatment in some of my newest prints from Gleaned. You can see snippets of this stuff in many of my blocks.

gleaned fabric collection . Carolyn Friedlander

If you’re planning to take advantage of this, just make sure to position any special motifs where you want them in the squares that you’ll be cutting out. Both the background and appliqué pieces are cut from regular squares, so you can use the shape and size of the square to get your fabric positioned how you want it. Just keep in mind your 1/4″ seam allowances for sewing the blocks together and the 1/8″ seam allowances for appliqué (which yes, is plenty of seam allowance).

Back to the project.

Wainwright Quilt . Carolyn Friedlander

There are two block sizes to this project–small and big. This first version uses only small blocks.

Wainwright Quilt . Carolyn Friedlander

The small blocks are nice for a few reasons. First, you will need more of them, which means you can incorporate more fabric combinations and pairings. Second, smaller-sized blocks are pretty easy to handle and relatively speedier than larger ones.

Wainwright Quilt . Carolyn Friedlander

The pattern also includes a larger-block option, which is what I incorporated into the second version that I made.

Wainwright Quilt . Carolyn Friedlander

In this version, you can see how the sizes compare, because I used them together. I sized the blocks specifically to work this way, but of course, you can use them however you’d like! Just how my first version uses all small blocks, you can totally make a version with all big blocks. Or, you can mix them up. The possibilities are yours.

Big blocks are great because fewer of them make a larger project. They can also be a better format if you’re working with a larger print, and expanded shapes mean everything is extruded and therefore slightly easier technically if you’re just getting into the technique. If you’re curious, try one of each, and see what you think.

Wainwright Quilt . Carolyn Friedlander

You’ll also notice that in this version I took a totally different route with the fabric. Instead of using tons of different fabrics, I used only two–this from Gleaned and this coordinate. The cool thing about this approach is that it really emphasizes the variety of shapes and sizes in the design.

Wainwright Quilt . Carolyn Friedlander

The main thing that you can keep in mind with regard to either option is that the pieces cut from 1 appliqué square can be used for 2 blocks. Split them up and mix them about as you wish!

Wainwright Quilt . Carolyn Friedlander

Now that you’ve seen my two versions, I hope that you’re excited to start mapping out your own! As for me, I’m planning to use small blocks in my next version–I love this size. To be totally upfront, I’m not entirely sure what final size (or even project type) that I am going for. I might make a pair of pillow shams…or I might do a wall hanging…I don’t know. I’m leaving that decision for later since I know I can adjust things as I go. I do have some fabrics pulled, but I think I’ll save that for next week.

Finally, I don’t want anyone stressing over this project. Handwork is usually my way to relax, and so I want this WainwrightAL to foster that same mood for you. Personally, I really liked the idea of using this QAL as a way to have an enjoyable something to work on in the background of my own life, and I hope that you find it fitting nicely into your life as well. Let’s use this time together to have fun, to enjoy each other and to enjoy playing with our fabric.

If you still need a copy of the pattern, you can find one here or checking with your local shop or favorite online retailer.

Wainwright quilt in Gleaned Fabrics . Carolyn Friedlander

Tips:

+ The project layout pages can totally be used as coloring pages. Either make copies as needed, OR use tracing paper over the top of them (since the layouts are already shaded) to explore your color/fabric ideas!

+ If you’re stalling out over fabric/color ideas, I always just go with my gut. Pulling fabric for a new project is massively exciting, but it can easily get out of control and lead to project paralysis. Instead of getting overwhelmed, take a step back and think about what’s most exciting to you. Start there, you can always make changes and adapt as you move along.

+ If you’re new to appliqué, not to worry! It’s fun and shouldn’t be intimidating. Everything gets easier with practice, especially this. This project is also perfect for anyone just getting started. I won’t be going over the exact technique since it’s outlined in the pattern, but I do have some classes on Creative Bug that fully walk you through the process. Here’s a link to my classes on Creative Bug.

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Wainwright Quilt Along Announcement.

Wainwright Quilt . Carolyn Friedlander

Hi, hi! Are you in the mood for some handwork? I am, or maybe it’s safe to say that I pretty much am always in the mood. It’s relaxing…and fun…and portable.

Wainwright Quilt . Carolyn Friedlander

While I love handwork, I know that many of you love handwork too. I also know that many of you are curious about handwork, and so I’ve been thinking that a Wainwright Quilt Along could help get us all going. After doing the Eads QAL last year, I knew that I wanted to plan more QAL adventures for this year. I’m happy to announce that the Wainwright Quilt Along will be up first!

Wainwright Quilt . Carolyn Friedlander

My new pattern Wainwright was a lot of fun to put together. It’s about playing with color, shape and all kinds of possibilities. Each of the appliqué shapes can be shared and mixed between blocks. Plus, there are two different block sizes, which means you can pick one or the other (big or small) OR you can mix and match them both, because I deliberately sized them to work together. I always think that the more possibilities in a project, the better. No worries if any of that sounds daunting! We’ll cover it in the coming weeks, for sure.

Wainwright Quilt . Carolyn Friedlander

Next week (February 15) will be the start of the Wainwright Quilt Along, and I have 6 weeks planned, with a wrap up on March 22. My plan isn’t necessarily to have a finished top by the end of 6 weeks–although that could totally be your goal!–but instead, I’m thinking of using 6 weeks to get some blocks rolling, talk about handwork, and just generally participate with you in some hand sewing. Whether you’re in the midst of winter (my fellow Northern Hemisphere folks!) and trapped indoors, or if summer is upon you (hi, Southern Hemisphere-ies!) and you’re looking for projects to travel around with, handwork is always handy, and I hope that this will be a delight to add into your schedule.

Wainwright Quilt Pattern . Carolyn Friedlander

You can grab a copy of the pattern here, or at stores (that’s just a link to a google search, but you could also ask your local shop!).

You in?

Wainwright Quilt Along . Carolyn Friedlander

Let’s go!

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Sessoms Quilt In Gleaned Fabrics.

My Sessoms quilt was one of my very first patterns. It’s a design that I’ve enjoyed making through the years, as well as one that I’ve enjoyed seeing others make. For many reasons, it’s been a long time coming to make a new one, update the printed version and translate the pattern into a digital format.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

First, I have to credit two people for making this quilt happen. Ellen Rushman pieced the quilt, and Gina Pina quilted it. I’m so appreciative of these super talented ladies for bringing this project to life.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

When I first opened the box from Gina after she quilted it, I actually gasped. Of course I’d seen pictures during the process, but there’s nothing like seeing a project for the first time in real life. The colors, piecing and quilting felt so bright and cheerful, which at the time was very welcome. I was still in hurricane-Irma-recovery mode, and seeing this quilt totally made me forget about everything that had happened.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

The design was inspired by some lattice-work on Sessoms Avenue in my hometown–a street where my Dad grew up. I love bringing a change in color and fabrics to a repeated block. There’s something special about seeing the changes across the surface of the quilt.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

The fabrics are all from my newest collection, Gleaned, and the background is one of the new Architextures crosshatch colors. I’ve been using this particular color a lot! It’s a pale grey-ish green that I’ve found to match just about everything.

Sessoms Quilt . Gleaned Fabric . Carolyn FriedlanderThe pattern is kind of neat because it works with a 2 1/2″ roll-up and/or 5″-square pack, so it’s pretty easy to attain a colorful gradient–you could just work the fabrics in order off the roll.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

The quilting motif was inspired by ripples in a pool. I’ve been totally obsessed with the motif ever since Gina posted a picture showing it. Sometimes I really like how democratic an overall quilting pattern can function in a project, and this a great example. The quilting adds an evenness to the quilt that doesn’t compete with the piecing, but it also lends a relevant texture. I just really like it.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

That’s Sessoms.

Big thanks to Ellen and Gina for making it happen. And another big thanks to Lexi at Greenprint Photography for snapping these great pics.

Pattern : Sessoms Quilt

Fabrics : Gleaned, Architextures

Sessoms Quilt . Quilt Market 2017 . Carolyn Friedlander

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