Tag Archives | kona cotton

Bartow Quilt Finally Finished.

This quilt top has been sitting around in the studio since 2014. But good news, this Bartow quilt is finally finished!

Bartow Quilt . Carolyn Friedlander

Back in 2014 Robert Kaufman released a new batch of Kona solids, and my Bartow design became a pattern that I created for that release. (Free pattern here, and notes on the first version here.) I’m pretty sure that this version was my first version, or at least it was where I got inspiration for the design.

Bartow Quilt . Carolyn Friedlander

At a Quilt Market around that time I saw a charm pack featuring a custom palette of Konas by Elizabeth Hartman. Elizabeth does a great job putting together colors, and I really liked this set and how they were arranged.

Bartow Quilt . Carolyn Friedlander

I wanted to have little slivers of all of the great colors transitioning in the same way that her charm pack was arranged across the quilt. Maybe it looks tricky, but it was pretty simple. I kept her colors in order and sewed them up by following the Bartow pattern. On my other Bartow quilt I kept the borders the same color as the background, but here I opted for colorful ones with a little bit of print mixed in. I think the borders here are mostly Flame Kona.

Bartow Quilt . Carolyn Friedlander

The top has been finished since 2014 and was sitting on a shelf in the studio. I dug it out and sent it off to Gina Pina to quilt. She quilted it up with a 1″ grid, and I just LOVE it.

Bartow Quilt . Carolyn Friedlander

Bartow Quilt . Carolyn Friedlander

As for the binding, I had it in my mind to use a piece from Friedlander Lawn, but as I was sewing it together I realized I had a scrap of Polk binding that would be perfect to mix in as well.

Bartow Quilt . Carolyn Friedlander

Bartow Quilt . Carolyn Friedlander

On the back is one of my Friedlander Wide prints. This colorway has been one of my favorites from that collection. It adds just the right pop to the back.

Bartow Quilt . Carolyn Friedlander

Feels good to have it finished!

Bartow Quilt . Carolyn Friedlander

Pattern: Bartow (free pattern from me via Robert Kaufman)

Bartow Quilt . Carolyn Friedlander

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Cutting Up My Kona Card.

I have been planning on cutting up my Kona card for a while now. It has been a few years since cutting up an older Kona card, and my lack of a system for that one (they were all thrown into a box) plus the addition of many new colors has made working with it an ongoing mess.

Cutting Up My Kona Card . Carolyn Friedlander

Earlier this year, I did a rough poll to see how others are organizing their color cards, and the answers were really helpful! I recapped some of those different styles and approaches in this newsletter if you’d like to see.

The systems I saw ranged wildly in terms of additional materials required, time investment to set up and resulting usability. I love being organized, and I love how being organized can help you work more efficiently, but it’s also important to weigh the options.

For me, I prefer a direction that requires the least amount of upfront time and extra materials to set up, with the most appropriate level of usability in the end. Not only am I often picking swatches to coordinate with collections and to use for projects, but I also like seeing all of the colors as a whole. Because of that, I like the idea of having a way to see all of the colors together, as well as to work with them individually. With two color cards, and I knew that I could keep one intact and I could cut the other one up. With just 1 card, it might be better to go in a different direction, maybe one like @modernhandcraft installed, which is impressive, but that would also require a lot of time and equipment to set up, as well as the physical space to put it. I’m not mad at a system that I can fold up and put away.

Instead, I was drawn toward @houseonhillroad’s approach which uses a special box to store the swatches. I think her box is one for storing embroidery floss that you could find at a craft store, but I also heard of others using tackle boxes and other things similar.

To be honest, all of this was fantasy thinking, because projects like these aren’t usually my favorite. They can be easy for me to dream about but not anything I’m quick to act on. There are too many other things I’d rather be doing and making! However, the stars aligned and I happened to find the perfect slotted container at the Dollar Store, when I was there rooting around for something else. I picked it up hoping it would be about the right size, and it turns out that it totally was! Yay! Plus, it was only $1. You can’t beat that.

Cutting Up My Kona Card . Carolyn Friedlander

There were many good tips that I learned from others. For one, I numbered the back of each of my swatches as well as their position on the uncut card. This way, I can easily find what I’m looking for AND put it back when I’m done with it.

Cutting Up My Kona Card . Carolyn Friedlander

It really helps to cut the swatches to the same size. This was made easier by the fact that the newest Kona color card has standard sizes for the colors. Because of the layouts on some of the older cards, the swatches were different sizes. Having them all the same size makes everything easier to work with, and it makes them stack up so nicely.

Cutting Up My Kona Card . Carolyn Friedlander

This new system is already paying off in terms of time, mess and general convenience. Even though it took me a few hours to cut up and number the card and swatches, I’ve easily made that up in how easy it is to work with. I would totally make myself do this again with the release of a newer color card. Now having done it, I know how much easier it has made everything. It might not have been at the top of my list before, but it will be higher on the list moving forward.

Cutting Up My Kona Card . Carolyn Friedlander

I should note that I tried punching holes into a couple of the swatches. Also while at the Dollar Store, I nabbed some book rings, and I thought it could be nice to put the colors for certain projects into their own ring while I was working with them. I quickly discovered that you’d need either a stronger hole punch, a drill and/or more physical strength than I was willing and able to put into it, so I abandoned that direction after a couple of failed attempts. If I feel inspired, I can bust out my drill and add some holes in the future. For now, all is great.

Cutting Up My Kona Card . Carolyn Friedlander

You can find a Kona color card on the google or at shops like ilovefabric and plenty of others. Just make sure to get the latest card with all 340 colors, and you’ll be set.

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Meet Babson.

Last up of the newbies is Babson, a very graphic and fun-to-sew project.

Babson Quilt Pattern . Carolyn Friedlander

This quilt is kind of like Eads in that it’s super mix and matchable, works with a bunch of different fabrics, can be made without a ton of planning and has a huge amount of possible outcomes. It’s about fabrics, shapes and colors playing together in all kinds of ways.

Babson Quilt . Carolyn Friedlander

Unlike Eads (which works with fat quarters), Babson starts with 5″ squares. I find that when you have an easy increment to start with, it’s much easier to grab a pile of stuff you’re interested in (or just a few things) and get to sewing. What’s better than that?

Babson Quilt . Carolyn Friedlander

On the pattern-design side, there’s also a big part of me that loves the challenge of figuring out possibilities for 5″-square packs. They can be so enticing, and I have many stacked around in the studio. This project can work well with them.

Babson Quilt . Carolyn Friedlander

In this first version, maybe you’ll notice how my blocks are broken down into quadrants, each having its own coloring. One quadrant uses one 5″-square pack, plus 4 fat quarters. (Or you can also just use fat quarters for the whole thing.) I liked this formula because it makes it a much easier undertaking. Rather than feeling overwhelmed by a heap of blocks and fabric, you can work on it in sections, as well as flavor each section a little bit differently.

Babson Quilt . Carolyn Friedlander

I used the same 5″-square pack of Polk for each quadrant, but in each group I added 4 different coordinates, so they each look a little bit different. Here’s what I added.

Babson Quilt Swatches . Carolyn Friedlander

Bottom left – Kona Roasted Pecan, Essex Yarn (Dyed Berry), Architextures (Sorbet, Orangeade)

Babson Quilt Swatches . Carolyn Friedlander

Top left – Architextures (Desert Green), Kona Parchment, Essex Classic Wovens (Natural), Essex Yarn Dyed (Chambray)

Babson Quilt Swatches . Carolyn Friedlander

Top right – Kona Paris Blue, Architextures (Acid Lime), Essex Yarn Dyed (Pickle), Essex Classic Wovens (Chambray)

Babson Quilt Swatches . Carolyn Friedlander

Bottom right – Kona Sea Glass, Essex Classic Wovens (Natural), Architextures (White), Essex Homespun (Chambray)

Babson Quilt Swatches . Carolyn Friedlander

In the end, I like the cohesion of the whole thing, and then I also like noticing the differences of the sections once you start looking closer. It was entertaining to sew, because each section presented new colors and possibilities.

Babson Quilt . Carolyn Friedlander

The next version started with this Melon Kona charm pack. I’m not normally a pink person, but the mix of oranges and peaches pack a nice punch, and I was totally enamored.

Melon Babson swatches . Carolyn Friedlander

Instead of making the larger throw size as before, I wanted to make a wall hanging, which is basically just a 1/4 of what’s required for the throw. After much debate, my additions to the Melon charm pack for this version were 2 pieces from Polk (AFR-17841-380, AFR-17841-14), plus Kona Orangeade and Kona Lingerie.

Melon Babson swatches . Carolyn Friedlander

These additions add brightness, texture and little bit of print.

Melon Babson swatches . Carolyn Friedlander

The blocks in this design are super versatile, and I tried to push them in a different direction than in the first version. Here I gathered all of the same-direction shapes at the top, and the other-direction shapes at the bottom. As much as possible, I used the orangey-brights to create the L’s, but then shifted it a bit as you get to the bottom.

Babson Quilt . Carolyn Friedlander

Now that I’ve made two, I still have ideas for a few more. Plus, I have some other charm packs lying around that I think will be fun.

Babson Quilt . Carolyn Friedlander

That’s Babson! I can’t wait to see what you make. You can ask about it at your local quilt store, or you can also find the digital version available here.

Babson Quilt . Carolyn Friedlander

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