Tag Archives | kona cotton

Kept Quilted Coat and Tote

The Kept Quilted Coat and Tote not only rhyme, but they are also super fun! Brittney Frey (who makes some really incredible quilted coats) made these using my Kept collection and the coordinates.

Kept Quilted Coat and Tote

Quilted Coat

Kept Quilted Coat

For the coat, Brittney used the Nova Coat from Papercut Patterns and the Fat Quarter bundles of both Kept and the coordinates. It’s such a great shape, and I LOVE that it has pockets.

Kept Quilted Coat

Brittney created a patchwork of color and print from the various fabrics. I love how they are grouped together and transition across the coat!

Kept Quilted Coat

The Tote

Kept Quilted Tote

For the tote, she used the Sylvie Tote (Everyday Size) by Sotak Handmade and the leftover fabrics from the coat. This bag is an excellent size for everyday carrying, for sure.

Kept Quilted Coat and Tote

Brittney patchworked the fabrics in the same way and at the same scale for the tote as she did for the tote. It makes a great pair, don’t you think?

The Details and Construction

Kept Quilted Coat pocket detailing

Not to put too fine a point on this, but this coat and tote are BEAUTIFULLY made. Brittney did such an incredible job. The lining on the coat is finished out with an invisible zipper enclosing all of the layers, the patchwork matches up perfectly in the pocket construction, there’s a label(!), and the tote is finely detailed too with a zippered section, rivets and leather handles. As soon as I received the shipment from Brittney I so enjoyed taking in all of these thoughtful and skilled decisions.

Kept Quilted Coat and Tote

Patterns: Nova Coat by Papercut Patterns and Sylvie Tote (Everyday Size) by Sotak Handmade

Fabrics: Kept and Kept Coordinates – FQ bundles

Kept Quilted Coat

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Aerial Update And A New Version In My CF Grid Group Fabrics

I’ve been wanting to make a new Aerial quilt for quite some time. It was one of my early patterns, and one I’ve been eager to get back to. Here is my Aerial update.

aerial quilt . carolyn friedlander
photo by Alexis Wharem

The Design

The design is inspired by an imaginary view from above. It’s a fairly simple idea with loads of horizontal sections divided by diagonal slices and blocks of differing sizes.

aerial quilt . carolyn friedlander

Technique and Fabric

The project is made using foundation paper piecing, which makes everything super easy and clean. You can work from 2 1/2″ strips. Bring on the scraps, yardage or whatever you have! I worked from the roll up of my newest CF Grid Group and a special Kona Cotton roll up that I put together to coordinate with it. To me this is a great example of how grayscale doesn’t necessarily mean lacking in color. Don’t you think?

CF Grid Group and Kona cotton fabrics for Aerial Update quilt . carolyn friedlander

Working With Other Substrates

Aerial works really well with solids and textural prints. It’s also great for working in other substrates, which was a big focus for me in my first version. Sewing onto the paper foundation stabilizes a variety of fabrics, making it easy by limiting stretch, drape or any other imbalance between the fabrics you are using. If you are new to foundation paper piecing and/or working with a variety of substrates, this is a great way to go.

Tip: Pre-wash and dry all fabrics when doing this to equalize any differences that might occur when laundering in the future.

The Aerial Update

I’ve updated the pattern to include the new sample. I made some tweaks to the blocks, and I changed out some of the project sizes so that the pattern includes four different size options; Throw, Runner, Wall and Baby. The pattern has six different blocks and coloring pages to map out your own version.

aerial quilt pattern . carolyn friedlander

Planning

In planning this project, I don’t tend to make an overall plan, instead I start with the fabrics and then I think about groupings of three fabrics for each block. I find that this helps break down many choices into something more manageable. Plus, it gives cohesion to each block and the quilt as a whole, while also making the sewing experience entertaining as I tried coming up with new three-fabric combinations for each block.

aerial quilt . carolyn friedlander

There’s an optional “Block Yardage” listing in the fabric requirements that you can use to add cohesion or to provide extra wiggle room if you are new to paper piecing.

Project Details

Pattern: Aerial Quilt Pattern

Fabric(s): CF Grid Group and Kona Coordinates

Bonus: Aerial was also a design I used in my couch! Here’s part 1 and part 2.

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Clay Kept Quilt

With my Kept fabrics now hitting stores, I’m excited to share more about my Clay Kept quilt.

Clay Kept Quilt . Carolyn Friedlander

Deciding on a Technique

I’ve made a couple of Clay quilts already–the throw-sized version that is on the pattern cover, and the mini wall hanging that is the project that started it all. I made both quilts using needle-turn appliqué by hand, one of my favorite techniques. It’s relaxing and you get to feel and enjoy each fabric and color as you go, which can be magical.

clay quilt mini . carolyn friedlander

With this new version I wanted to do something a little different. Instead of doing a by-hand approach, I decided to go with raw-edge, fusible appliqué. There is no one way that you have to do appliqué just like there’s no one way that you have to make a quilt. You can do what you want and how you want it.

Clay Kept Quilt . Carolyn Friedlander

With raw-edge, fusible appliqué there are different things to consider. For me, I’d need to make sure to have a fusible product on hand that I felt comfortable using. (I used Lite Steam-A-Seam 2, which in general is fine.) I’m not always happy with the stiff-ness or bulk that using a fusible can add to the final project, but that isn’t necessarily a bad thing when what I’m making is a wall hanging–my project plan here. For this reason and others, it’s a really good idea to do a few tests with all of the materials you plan to use.

The other thing I wanted to think about is how I would finish it. While some of the fusible products say you don’t have to stitch down your fused pieces, I do like the idea of securing my work so everything stays in place over time. I’m making a wall hanging, and I don’t anticipate washing it often (or ever), but I want it to look polished.

Clay Kept Quilt . Carolyn Friedlander

The quilting is a great place to think about this. Since it needs to be quilted anyway, why not use quilting to further secure and enhance all of the pieces? For these reasons I knew I’d want to do some matchstick (or close-together and dense) quilting.

Picking a Palette

After deciding on technique, I needed to pick my palette. I LOVE picking a palette! It is especially exciting on a project like this where you’re arranging the pieces in place and it can feel like a painting or an exciting adventure in composition.

Clay Kept Quilt fabrics . Carolyn Friedlander

What I usually do is to go with my gut. I knew I wanted this blue print from the new collection for the background. It looks like a bathroom tile or a wallpaper to me. I like that it gives the background a little bit of texture, but it can also be a great support for whatever colors and prints I want to add on top.

Sometimes it is helpful to get your background fabric nailed down first. Then you have something to audition the appliqué choices. Or the reverse could also be true if you had a great selection of fabrics for the appliqués. Then it’s just a matter of swapping out background options until you find the one that works best.

Clay Kept Quilt fabrics . Carolyn Friedlander

My appliqué fabrics are a mix of prints from Kept and their coordinating solids in a range of various shades and colors.

The Clay Kept Quilt

Clay Kept Quilt . Carolyn Friedlander

I really enjoyed laying everything out. After preparing my background, I laid it on the floor. (A design wall would be great too!) Next I cut out my pieces and arranged them onto the background, moving things around as I wished and as I added more pieces. If there is something I like, like certain shapes or colors grouped together, I might do more of it, and if there is something I don’t like, I try to do less of it. This constant back and forth of asking myself what I’m liking and not liking is not just helpful, but it makes the project more engaging and fun.

After I’m happy with the layout, I fused the pieces to the background, basted the quilt and got to quilting.

Here’s a great tip from Jacquie Gering when you are using a fusible product. In one of her lectures, I learned to use eyeglass cleaner to clean your needle frequently when quilting a project with fusible. A big drawback of using any fusible is how it can gum up your needle. I’ve found that this trick really helps! I’d clean my needle after a couple of passes on the quilt, which took extra time, but saved in frustration in the end.

Clay Kept Quilt . Carolyn Friedlander

The binding is this bright Orangeade Kona solid. When making a wall hanging, sometimes I love how a good, contrasting binding can act as a frame. This one is bright and cheerful.

Clay Kept Quilt . Carolyn Friedlander

Pattern and Fabric Details

Pattern: Clay Quilt Pattern, Wall Size

Fabric(s): Kept and the coordinating solids (Kona, Essex Speckle)

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