Tag Archives | paper-piecing

Sessoms Quilt In Gleaned Fabrics.

My Sessoms quilt was one of my very first patterns. It’s a design that I’ve enjoyed making through the years, as well as¬†one that I’ve enjoyed seeing others make. For many reasons, it’s been a long time coming to make a new one, update the printed version and translate the pattern into a digital format.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

First, I have to credit two people for making this quilt happen. Ellen Rushman pieced the quilt, and Gina Pina quilted it. I’m so appreciative of these super talented ladies for bringing this project to life.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

When I first opened the box from Gina after she quilted it, I actually gasped. Of course I’d seen pictures during the process, but there’s nothing like seeing a project for the first time in real life. The colors, piecing and quilting felt so bright and cheerful, which at the time was very welcome. I was still in hurricane-Irma-recovery mode, and seeing this quilt totally made me forget about everything that had happened.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

The design was inspired by some lattice-work on Sessoms Avenue in my hometown–a street where my Dad grew up. I love bringing a change in color and fabrics to a repeated block. There’s something special about seeing the changes across the surface of the quilt.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

The fabrics are all from my newest collection, Gleaned, and the background is one of the new Architextures crosshatch colors. I’ve been using this particular color a lot! It’s a pale grey-ish green that I’ve found to match just about everything.

Sessoms Quilt . Gleaned Fabric . Carolyn FriedlanderThe pattern is kind of neat because it works with a 2 1/2″ roll-up and/or 5″-square pack, so it’s pretty easy to attain a colorful gradient–you could just work the fabrics in order off the roll.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

The quilting motif was inspired by ripples in a pool. I’ve been totally obsessed with the motif ever since Gina posted a picture showing it. Sometimes I really like how democratic an overall quilting pattern can function in a project, and this a great example. The quilting adds an evenness to the quilt that doesn’t compete with the piecing, but it also lends a relevant texture. I just really like it.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

That’s Sessoms.

Big thanks to Ellen and Gina for making it happen. And another big thanks to Lexi at Greenprint Photography for snapping these great pics.

Pattern : Sessoms Quilt

Fabrics : Gleaned, Architextures

Sessoms Quilt . Quilt Market 2017 . Carolyn Friedlander

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Eads QAL #12: Finished Top.

Eads QAL #12: Finished Top.

The top is done! What an adventure.

But let’s back up a bit. Since I’ve been documenting this entire process, I thought it’d be fun to do a video of the laying-out process. Big disclaimer to come.

My blocks were gathered and generally sorted into piles by color–very generally. They’re more stacked by groupings on the design wall. Had I not been in such a hurry to lay it out (–out of sheer eagerness), I could have done a better job grouping them. Not really a big deal.

So yeah…you ready for the video? (BTW, do you spot the Blake cameo?)

A few things to note. First, don’t make a video of yourself. Although, I kind of don’t mean that. There’s something fun about watching it take shape. The reason why I wouldn’t recommend filming the process–or why I’m casting a little caution–is that it makes you all too aware of every move that you’re making, which then makes it way too easy to start over thinking things. I’m not usually into bringing unnecessary stress in to the creative environment. Heads up on that.

Over thinking layout (and almost any other choices when getting your creativity on) can be an easy place to lose perspective, which is exactly what I did. I fussed around with this layout way past the point of any changes making a difference. And, knowing that it was all being filmed, I felt pressure to make choices relatively quickly. (That’s not super great for the creative flow.)

But still, I’ll admit, it is cool to watch a project take shape.

Aside from the unnecessary pressure of knowing that I was being watched, I was far less decisive with this layout than usual.

For one, I think it does make a difference whether or not you’re able to build something and see it in its entirety as you go–whether that’s by using a design wall or the floor. Seeing something in its entirety as you build it means you’re well aware of the overall picture before having to nail it all down, leaving less of a chance for big changes at the end. I totally admit, having the kind of space to do that isn’t always feasible, but nonetheless this was a realization for me. It made me think of other back-burner projects that just get taken out when I have the time and how I can use that segmentation to my advantage or how to reduce it if it’s not working for the project.

Most of the time I’m chugging through projects, because there’s a close deadline, and they can feel like one continuous thought–more or less. This one was such a great series of creative breaks that helped break up the flow of other projects that I’ve been tackling. As I look at the final layout, I think it captures that.

While reorganizing some stuff in the studio, I noticed these swatches–a note to self made awhile back. In making my very first blocks, I discovered this combo that I love between this Arroyo fabric and one of the new crosshatch colors. It was a fun discovery that I had to note for later.

What’s cool is that this is actually represented in the quilt. I made sure of that once seeing my little reminder. If you look down towards the bottom in the next picture, you’ll see how I paired blocks that used those fabrics. There are so many other cases of this in this quilt, that I know it will be a fun one to cuddle up with on the couch. While in use, this quilt has so much to discover and to remember about the process of making it.

Eads QAL 12 . Carolyn Friedlander

Now to decide on quilting and backing.

First, the backing. Conveniently some of my new extra-wide fabrics just arrived. What do you think of the colors?

As for the quilting, to be honest, I’ve been thinking about handing this one off. There are so many great quilters out there, and I keep saying that I’d love to collaborate. But as usual, an idea started to simmer while I was sewing the blocks together. Who knows how it’ll end. I’ll keep you posted.

Tips:

+ Don’t over think your layout. It’s easy to get caught up in the minutiae, and in many cases tweaking a few blocks here and there won’t make a big difference. I know this, and yet I totally fell into this trap this time. Oh well!

+ As for filming yourself, I know that my own review is a mixed one, but it was a worthwhile experience. Sometimes it is good to check in on yourself and to see how you operate. I learned something, and maybe you will too. Or, at least you’ll get a good laugh at watching me scramble around on the floor. Ha!

+ When teaching, I always get asked about when to take the paper off. I’ve saved this tip for this stage of the game, because now it’s relevant. I always prefer to keep the paper on as long as possible. It keeps the blocks clean and flat (big heart emoji!). But, it can get bulky and weighty, especially in projects like this were you have many blocks to sew together. My first pointer is to always remove the paper in the seam allowance after sewing 2 blocks together–this will make it easier to press and will eliminate those wee bits of paper at future seam intersections. Second pointer, I kept the paper on the blocks when sewing them into rows. Then, I took all of the paper off before sewing the rows together. This is kind of a new thing for me to do, but I tried it while making my recent Russell. It helps with the bulk, but still gives you the guidance and structure in the beginning. If you have other thoughts–I’m curious to know!

Eads QAL 12 . Carolyn Friedlander

This Eads QAL has been a really interesting experience, and I’ve learned a lot–I hope you have too! It’s been fun sharing these bits and pieces with you as I’ve gone along, and I’ve loved seeing your progress and thoughts as well.

Because of how much I appreciate your following along, and because I think we should celebrate making it to the end–let’s do a giveaway! Leave a comment sharing something that you’ve learned/enjoyed/thought about/etc during this QAL. I’ll draw 3 winners Tuesday, Sept 5 at 9am EST, and they’ll win some fabric and pattern goodies that I’ll gather and send out. Sound good?

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Eads QAL #11: Finished Blocks.

Eads QAL #11: Finished Blocks.

Eads QAL 11 . Carolyn Friedlander

As I mentioned last week, I decided to skip ahead and finish all blocks this week so that I can sew together the top for next week. Woohoo!

Eads QAL 11 . Carolyn Friedlander

As I mapped out my remaining blocks, I realized that I really didn’t want to stop. (Specially, I’m a bit obsessed with an all-gleaned¬†version…)

But back to this guy…who I am also excited about…

Eads QAL 11 . Carolyn Friedlander

Yay–20 more blocks done!

Eads QAL 11 . Carolyn Friedlander

This mix has lots of new stuff, some friedlander lawn, tiny bits of euclid and some of my original architextures. It all started with an interest in green and how several different shades and prints can work together.

Eads QAL 11 . Carolyn Friedlander

I’m thinking that the addition of these greens, yellows, grays and blues will mix in nicely with all of my previous blocks.

Eads QAL 11 . Carolyn Friedlander

I am SO eager to lay this thing out, but I’m going to reserve the right time slot to do it. What’s your layout habit?

Eads QAL 11 . Carolyn Friedlander

For me, my laying-out process totally depends on the situation. With the original one, I made it over a brief period of time where it was basically my main focus. Because of that, I was able to reserve massive amounts of design-wall space so that I could lay the whole thing out while I sewed it (as seen here).

Eads QAL 11 . Carolyn Friedlander

This time it’s a bit different. While I have been laying out bits and pieces as I go, I’m not really married to any one thing. In fact, I think it’ll be really fun to start from scratch and see what happens. Because of that, I’d like to allow myself some time to get into the rhythm with it. Worst case scenario, I can always peek back through pics of the layouts at various stages that I’ve been documenting along the way. These blocks are pretty forgiving when it comes to layout. There are lots of options and fun routes to take.

Eads QAL 11 . Carolyn Friedlander

Tips:

+ Sometimes you just need to stop. I had to remind myself of that this week when I started feeling serious urges to make an entire Eads out of gleaned. I do love that idea but will have to save it for later.

+ You may have already this figured out, but it wasn’t until recently that I realized the importance of having a comfortable chair in the studio. (Duh?!) I realized this while making Russell. Russell is a project where I would just sit and stare while pondering its growth at various stages along the way. In a different way, Eads is also a good project for that. With each new batch of blocks, I pinned them up to the design wall and then sat to stare for just a bit. I’d think about how it looked, what I’ve learned and then would come up with ideas for the future of the project. Plus, a comfy chair in the studio means you can also accept friendly company while you’re working away.

Eads QAL 11 . Carolyn Friedlander

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