Tag Archives | paper-piecing

Rye Marmalade

My newest pattern is all about 2 tones, but it doesn’t have to be! This Rye Marmalade version starts to show how you can change things up.

Rye Marmalade Quilt . Carolyn Friedlander

One problem with selecting fabric pairs is that once you start looking for them, it can be hard to stop finding some that you are excited about. After sewing up some pairings that I was excited about, I decided to combine them together into the same quilt. I liked how the different sections and combinations interpreted the shapes a bit differently, and also how the different colors worked so nicely as a group.

Rye Marmalade Quilt . Carolyn Friedlander

Fabric can change the look of a design so much, and here you can really see that. There are 3 different sections; some use solids, some use nearly solids and some use more bold-ish prints.

Rye Marmalade Quilt . Carolyn Friedlander

Solids can give you super sharp shapes, like in the Marmalade section on the right. The left section uses 2 softer prints from my Collection CF line. This softens the shapes a bit, and I feel like it blends everything together nicely. It is a combo that makes me really happy.

Rye Marmalade Quilt . Carolyn Friedlander

The top right corner features a more bold print from Jetty, and you get a much more textured and less defined effect. Kind of neat, right?

Rye Marmalade Quilt . Carolyn Friedlander

There are 2 block sizes in the pattern that can be used separately or together. Here I mixed the block sizes together, and I also incorporated borders in to each color group to balance out the motifs and to give them some space.

Rye Marmalade Quilt . Carolyn Friedlander

Fabric for the binding was not as obvious a choice as it was in my previous Rye quilts. For the first two, I matched the binding to the border, because I wanted the binding and border to feel like a background for the design to rest on. In this case, I wanted a similar effect, but without an obvious background, I needed to audition a few of my choices. In the end, I chose one of the fabrics from Jetty that was already used in the quilt. I like the way it blends into most of the sections, while also giving it good texture.

There we have it. A different way to take my newest project Rye!

pattern: Rye quilt pattern

fabric: Jetty, Collection CF, Kona Suede and Marmalade

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Architextures Sunrise.

My Architextures Sunrise quilt comes with a bit of an admission. I made it back in 2012 when Architextures first came out. It was displayed in the Architextures booth at Quilt Market that fall, but I never got around to taking pictures of it afterwards–classic. When I was planning the PDF conversion for the design, I knew I wanted to unearth this quilt and give it some time to shine.

Architextures Sunrise Quilt . Carolyn Friedlander

Architextures Sunrise Quilt . Carolyn Friedlander

I can still remember how much I enjoyed making it. It was one of the first times sewing with my own fabric, and that experience is hard to forget. Because the design works well with 2-1/2″ strips, I used strip sets from my Architextures collection as well as the coordinating solids. This made it super easy to get to the fun stuff, which is figuring out your fabric pairings and placements and sewing them together. I love a project where you can explore different color and print combinations as you go, and this project is perfect for that.

Architextures Sunrise Quilt . Carolyn Friedlander

The frames are Kona Cactus, one of my favorites at the time. It’s so vibrant. This was before there was Pickle, Wasabi, Acid lime or any of the other greens that I’d grow to love as well. Is it just me, or do you remember your early favorite solids? (For the record – Cactus, Coral and Tangerine were some of those for me.)

Architextures Sunrise Quilt . Carolyn Friedlander

There’s not too much to get wrong about this block, which makes it pretty carefree and easy. In some of my other Sunrise projects, I worked the fabrics and colors symmetrically within the blocks. In this sample I didn’t do that, but instead took the placement in a different direction. I like this effect as well.

Architextures Sunrise Quilt . Carolyn Friedlander

Once you get them all framed out and sewn together with the sashing and border, it’s a cohesive (and cheerful) look.

Architextures Sunrise Quilt . Carolyn Friedlander

fabrics: architextures and the coordinating Kona solids

pattern: Sunrise

Architextures Sunrise Quilt . Carolyn Friedlander

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Tangelo Quilt in Harriot.

This Tangelo Quilt in Harriot was a fun one to see come together.

Tangelo Quilt in Harriot Fabric . Carolyn Friedlander

I’ve always wanted to make another Tangelo, and I really really wanted to make one with Harriot. Tangelo is one of those quilts that can take many different fabrics, colors, whatever and give them a unified purpose. Here the fabrics bring to life each row of triangles in new ways.

The other reason why it was a good fit is because of the fabric and the technique. Tangelo is triangles made easier, meaning they’re paper pieced and therefore do not require any special rulers or perfect starting point. Instead, you can start with your pile of fabrics–which in this case is a mix of screen-printed pieces and yarn-dyed wovens–and start sewing. The paper piecing makes working with this variety of fabrics easier, because the paper helps stabilize them while you’re making the quilt. Win win.

Tangelo Quilt in Harriot Fabric . Carolyn Friedlander

I was eager to work in one of the scallop prints from the collection. Here you can see how it creates a few different triangles within the same row. Some are dark blue, some are light blue and some even have a hint of a scallop.

Tangelo Quilt in Harriot Fabric . Carolyn Friedlander

See the little scallop peeking out in this one?

I’m so glad this new Tangelo came together for the Harriot release. My mom, Kathy Friedlander and friend, Ellen Rushman, helped me make rows, and I couldn’t have done it without them.

pattern: Tangelo

fabric(s): Harriot

previous posts on Tangelo: Intro to Tangelo,

Tangelo Quilt in Harriot Fabric . Carolyn Friedlander

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