My newest pattern is all about 2 tones, but it doesn’t have to be! This Rye Marmalade version starts to show how you can change things up.
One problem with selecting fabric pairs is that once you start looking for them, it can be hard to stop finding some that you are excited about. After sewing up some pairings that I was excited about, I decided to combine them together into the same quilt. I liked how the different sections and combinations interpreted the shapes a bit differently, and also how the different colors worked so nicely as a group.
Fabric can change the look of a design so much, and here you can really see that. There are 3 different sections; some use solids, some use nearly solids and some use more bold-ish prints.
Solids can give you super sharp shapes, like in the Marmalade section on the right. The left section uses 2 softer prints from my Collection CF line. This softens the shapes a bit, and I feel like it blends everything together nicely. It is a combo that makes me really happy.
The top right corner features a more bold print from Jetty, and you get a much more textured and less defined effect. Kind of neat, right?
There are 2 block sizes in the pattern that can be used separately or together. Here I mixed the block sizes together, and I also incorporated borders in to each color group to balance out the motifs and to give them some space.
Fabric for the binding was not as obvious a choice as it was in my previous Rye quilts. For the first two, I matched the binding to the border, because I wanted the binding and border to feel like a background for the design to rest on. In this case, I wanted a similar effect, but without an obvious background, I needed to audition a few of my choices. In the end, I chose one of the fabrics from Jetty that was already used in the quilt. I like the way it blends into most of the sections, while also giving it good texture.
There we have it. A different way to take my newest project Rye!
pattern: Rye quilt pattern