Tag Archives | quilts

Hunt QAL #14 ALL DONE!

Hunt QAL #14. ALL DONE! My Hunt Quilt Along quilt is done, photographed and on my bed–a quilty miracle for sure.

hunt quilt along quilt . carolyn friedlander

Binding

With the binding, I was unsure of which direction to go for pretty much the entire time. After much auditioning, here is what I came up with.

hunt quilt along binding . carolyn friedlander

An easy rule of thumb when you can’t decide on one binding is to go with all of them! This meant three fabrics in my case. I love that this satisfies all urges, and I think a scrappy binding suits many quilts nicely, especially this one. These choices are from Collection CF, Jetty and a Robert Kaufman gingham that might look black in the photo but is actually dark green. I love any gingham or grid in a binding, and the metallic adds just the right amount of sparkle.

scrappy binding in collection CF, Jetty and gingham

Hand Quilting

I don’t know what my favorite part about this quilt is, but the hand quilting is definitely up there. For a bed quilt it is massively cozy, and from a design standpoint I like how the high contrast thread stands out when you look at it.

big stitch hand quilting

The overall rows of straight lines in different directions is a pleasing contrast to the circular motifs.

hunt quilt along quilt . carolyn friedlander

Scrappy Backing

The backing is super scrappy, which you can see better in this post. Just like choosing multiple fabrics for the binding, scrappy backings are just as appealing. The snippet below is another Robert Kaufman gingham. It’s really soft, which is a great backing quality.

hunt quilt along quilt . carolyn friedlander

I’ve always considered this a two-sided quilt. I should get some shots of the other side too, but I’ll leave that for another day.

hunt quilt along quilt . carolyn friedlander

The fabrics for the blocks are scrappy, but the quilting thread is consistent throughout. I think this ties things together nicely.

hunt quilt along quilt . carolyn friedlander

The hand quilting makes it soft and cozy, and I’m really happy to have it finished.

Quilt Label!

Oh, one more thing! There’s a label! I’ve been way better lately at making and attaching labels to my quilts. I make a label (this one is definitely fancier than the usual ones I make) when making or attaching the binding. This way it’s ready to add after hand-stitching the binding. My labels include my name, the project name, project dates, contact info (if the quilt will be traveling), and the type of batting used. I’ve been all over the place with batting lately, and this helps me keep track.

hunt quilt along quilt label . carolyn friedlander

Finished and in use!

I actually slept under it for the first time last night, and it was all kinds of special.

hunt quilt along quilt . carolyn friedlander

Pattern: Hunt Quilt (templates here, here and here)

Fabrics: Mostly mine from many collections including Jetty, Collection CF, Botanics, Instead, Gleaned, Friedlander

Quilting Thread: Sashiko thread from Upcycle Stitches

hunt quilt along quilt . carolyn friedlander

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Day Camp Quilt by Julia Williams

There are more Collection CF projects that are very special. For the release, I reached out to a couple of friends. Because the fabric collection felt like I was sewing with old friends, I thought it would be fitting to ask some friends to share their work as well. I always love seeing people using my fabric in their own way, and I knew this would be a great opportunity for it. First up is the Day Camp Quilt by Julia Williams.

This is such a fun quilt! It’s a new take on the classic Tumbling Block. Julia says that it is super easy to put together, and she has me very interested to give it a try.

My favorite thing about this design is all that you can do with the fabrics! It takes on a 3 dimensional effect when you play with the values and colors and how they go together. I love opportunities like this.

I LOVE how Julia finished the quilt. The quilting and yarn ties make it even more enticing. The texture and color it adds is something special.

Pattern: Day Camp by Julia Williams (@alchemytea)

Fabric: Collection CF

(Psst, Julia also made some Dumpling Pincushions as well. This is another one of her patterns–find it here. I’ve made some before and now want to make more again!)

Pattern: Dumpling Pincushion by Julia Williams

Fabric: Collection CF

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Meet Babson.

Last up of the newbies is Babson, a very graphic and fun-to-sew project.

Babson Quilt Pattern . Carolyn Friedlander

This quilt is kind of like Eads in that it’s super mix and matchable, works with a bunch of different fabrics, can be made without a ton of planning and has a huge amount of possible outcomes. It’s about fabrics, shapes and colors playing together in all kinds of ways.

Babson Quilt . Carolyn Friedlander

Unlike Eads (which works with fat quarters), Babson starts with 5″ squares. I find that when you have an easy increment to start with, it’s much easier to grab a pile of stuff you’re interested in (or just a few things) and get to sewing. What’s better than that?

Babson Quilt . Carolyn Friedlander

On the pattern-design side, there’s also a big part of me that loves the challenge of figuring out possibilities for 5″-square packs. They can be so enticing, and I have many stacked around in the studio. This project can work well with them.

Babson Quilt . Carolyn Friedlander

In this first version, maybe you’ll notice how my blocks are broken down into quadrants, each having its own coloring. One quadrant uses one 5″-square pack, plus 4 fat quarters. (Or you can also just use fat quarters for the whole thing.) I liked this formula because it makes it a much easier undertaking. Rather than feeling overwhelmed by a heap of blocks and fabric, you can work on it in sections, as well as flavor each section a little bit differently.

Babson Quilt . Carolyn Friedlander

I used the same 5″-square pack of Polk for each quadrant, but in each group I added 4 different coordinates, so they each look a little bit different. Here’s what I added.

Babson Quilt Swatches . Carolyn Friedlander

Bottom left – Kona Roasted Pecan, Essex Yarn (Dyed Berry), Architextures (Sorbet, Orangeade)

Babson Quilt Swatches . Carolyn Friedlander

Top left – Architextures (Desert Green), Kona Parchment, Essex Classic Wovens (Natural), Essex Yarn Dyed (Chambray)

Babson Quilt Swatches . Carolyn Friedlander

Top right – Kona Paris Blue, Architextures (Acid Lime), Essex Yarn Dyed (Pickle), Essex Classic Wovens (Chambray)

Babson Quilt Swatches . Carolyn Friedlander

Bottom right – Kona Sea Glass, Essex Classic Wovens (Natural), Architextures (White), Essex Homespun (Chambray)

Babson Quilt Swatches . Carolyn Friedlander

In the end, I like the cohesion of the whole thing, and then I also like noticing the differences of the sections once you start looking closer. It was entertaining to sew, because each section presented new colors and possibilities.

Babson Quilt . Carolyn Friedlander

The next version started with this Melon Kona charm pack. I’m not normally a pink person, but the mix of oranges and peaches pack a nice punch, and I was totally enamored.

Melon Babson swatches . Carolyn Friedlander

Instead of making the larger throw size as before, I wanted to make a wall hanging, which is basically just a 1/4 of what’s required for the throw. After much debate, my additions to the Melon charm pack for this version were 2 pieces from Polk (AFR-17841-380, AFR-17841-14), plus Kona Orangeade and Kona Lingerie.

Melon Babson swatches . Carolyn Friedlander

These additions add brightness, texture and little bit of print.

Melon Babson swatches . Carolyn Friedlander

The blocks in this design are super versatile, and I tried to push them in a different direction than in the first version. Here I gathered all of the same-direction shapes at the top, and the other-direction shapes at the bottom. As much as possible, I used the orangey-brights to create the L’s, but then shifted it a bit as you get to the bottom.

Babson Quilt . Carolyn Friedlander

Now that I’ve made two, I still have ideas for a few more. Plus, I have some other charm packs lying around that I think will be fun.

Babson Quilt . Carolyn Friedlander

That’s Babson! I can’t wait to see what you make. You can ask about it at your local quilt store, or you can also find the digital version available here.

Babson Quilt . Carolyn Friedlander

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Meet Davie.

Meet Davie, my newest house pattern.

Davie Quilt Pattern . Carolyn Friedlander

See the resemblance?

I don’t know why I love this house so much, but I do. It’s just so cute. Plus, when we’re talking about house quilts, they are such a favorite, and this one makes a good one. With Davie, I love this size block in particular. It’s big enough to have fun with fabric, but small enough to where you get to make several of them.

Polk Fabric . Carolyn Friedlander

The design works with fat quarter cuts (18″ x 22″), and so fabric selection couldn’t be easier. I started with each of the (8) pieces from my Polk collection, and then added these 4 guys into the mix.

Davie Quilt Swatches . Carolyn Friedlander

I liked how the crispness of the white, the warmth of the peach, and the brightness of the blues rounded out the colors with the other pieces.

Davie Quilt Swatches . Carolyn Friedlander

I worked the colors in a specific order so that you get this neat stacking of shapes. The house in one block becomes the background in the block below it, making the whole thing really fun to look at. Of course, you totally don’t have to do that. You can mix up the fabrics however you please (just see the next version below)!

Polk Davie Quilt . Carolyn Friedlander

But then I wanted to make another sample. These houses are a little addictive…

Davie Fabric Swatches . Carolyn Friedlander

For the next one, I was drawn toward pinks and peaches–in prints, checks and solids.

Davie Quilt . Carolyn Friedlander

For this one, I worked with the other size included in the pattern which uses 6 fat quarters, and will give you a smaller wall hanging–or 2 mini quilts. The nerd in me loves the idea of 2 minis, because you can keep one for yourself and give the other one away. Or, better yet, you and a friend can each make a pair and then trade 1 of each. Wouldn’t that be fun?

Davie Quilt . Carolyn Friedlander

With this set, I totally mixed up all of my pairings. While the first version had a specific rhythm to how the fabrics rotated their positions, in this one, I tried to mix it up as much as possible. (First is far left, pair is far right.)

Mini Quilts . Carolyn Friedlander

Davie Quilt . Carolyn Friedlander

After Quilt Market, I taught Davie at Superbuzzy in Ventura, CA. Here’s a look at some of the class blocks. Great, right? Gives you some ideas on where else to take it…

Davie Quilt . Carolyn Friedlander

Davie has been shipping to stores now, so make sure to ask for it, or you can also find the digital version available in my shop here.

First version fabric(s): Polk, plus Architextures (AFR-13503-239), Gleaned (AFR-17292-1), Kona Waterfall, Kona Paris Blue

Pink/peach version fabric(s): Polk (AFR-17841-380, AFR-17842-391), Carolina Gingham (P-16368-107), Kona Orangeade, Kona Cantaloupe, Essex Classic Wovens (SRK-17585-63)

Davie Quilt . Carolyn Friedlander

 

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Meet Lusk.

Meet Lusk, a new pattern for some (mini) quilts.

Lusk Quilts . Carolyn Friedlander

I love mini quilts. There’s so much you can do with them! They make great gifts, are perfect for swaps and I’m not sure there’s any easier way to decorate your space. Plus, I love how the smaller format allows you to get really creative without too much commitment and pressure–OR it can help you get more comfortable with a technique. Don’t get me wrong, big projects can be great too, but there’s something special about a project that can get your creative juices flowing, make you feel good about a finish and leave you inspired for whatever comes next.

Polk Lust Quilts . Carolyn Friedlander

I find that I come up with new ideas all the time while I’m sewing. In this way, making minis is such a creative kickstarter for me. Because of this, I’ve been wanting to make some mini quilt patterns for a while now, and Lusk is just the beginning. With this one, I’ve been thinking about how some of my existing designs can be reconsidered on a smaller scale, and how it might be fun to reimagine sets of shapes mixed and matched up in new ways.

Polk Lust Quilt . Carolyn Friedlander

You might recognize some familiar bits from some of my other patterns. Lusk takes ideas from Sessoms and Tangelo, plays with the scale of both and adapts them in ways that they can work together. I love this because even though they are two different designs, bringing them together means there are many new ideas to play with.

I outline 3 specific versions in the pattern, but the units work really well together, and if you wanted to come up with more, you totally could! The first (A, above) is a mix of all blocks included in the pattern. The second (B, below) uses just the third block option in the pattern.

Polk Lust Quilt . Carolyn Friedlander

The third version (C, below) uses just the first 2 blocks in the pattern. Depending on what you’re going for, you can dress these guys up in all kinds of ways.

Polk Lust Quilt . Carolyn Friedlander

These minis were a great place for me to start when I first got my hands on my newest fabric collection, Polk. Working on a smaller scale allowed me to see how certain fabrics might work together, and it definitely inspired many of the fabric combinations in my subsequent projects.

Lusk Quilts . Carolyn Friedlander

Lusk means you can explore a lot in a small amount of time and with not too many supplies. I’ve since whipped up a few more, and I’ll be sharing them in the coming weeks.

Lusk Quilts . Carolyn Friedlander

You can ask for Lusk at your local quilt store, or you can also find the digital version available here.

Lusk Quilt Pattern . Carolyn Friedlander

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WainwrightAL #6: Finish.

WainwrightAL #6: Finish.

Somehow we’ve made our way to the end–or at least to the end for now.

Wainwright QAL . Carolyn Friedlander

I often have mixed feelings at the end of a project. There’s always a part of me that is excited to reach a milestone and to see it finished. And then there can also be the side of me that’s kind of sad to be done with something that has been enjoyable to work on. With my first Wainwright, I definitely felt this mix. I was excited when I had all of my blocks appliquéd and sewn together. I love seeing it for the first time after the basting stitches are gone and after a good press. It always looks so clean!

Wainwright QAL . Carolyn Friedlander

With Wainwright, there was also a little sad part of me, because I had enjoyed working on it so much. Each row brought new colors and different combinations of shapes and fabrics. I loved having an excuse to work on these fun little blocks. Luckily, this is the perfect excuse for more projects, and in this case I was excited to start the quilting.

Originally, I thought I would start off with some big-stitch hand quilting across the entire thing. Then I’d machine stitch on top to add even more texture. I tend to like the softness and color of big stitch, and then the texture and intensity of the machine quilting. But, after finishing the hand quilting, I loved the feel of it as it was.

Wainwright Quilt . Carolyn Friedlander

Plus, the color effect is pretty nice–although not easy to see in the photographs. I big stitched along all of the diagonals using different colors of thread that generally related to the colors in the blocks. I liked having a loose transition of color across the quilt with the fabrics, and doing the same with the quilting threads adds another layer to that transition.

Wainwright Quilt . Carolyn Friedlander

I tried out a new batting with this quilt. Quilters Dream has 4 different loft options in cotton, and this uses their heaviest (“supreme”). I’ve tried it on a few projects since this one, and I’ll admit that it’s maybe not my favorite, but in the case of this quilt, there is something nice about it after being hand quilted. It’s weighty but still soft.

Wainwright Quilt . Carolyn Friedlander

Now, let’s go back to my project for this QAL. Here’s where I’m at.

Wainwright QAL . Carolyn FriedlanderWhen I initially thought about my QAL project, I knew that I wanted to try something a little bit different. I wanted to push myself a little in terms of the palette. I don’t typically work with a super dark, tone-on-tone palette, and I was curious to see how something like that could work out.

Wainwright QAL . Carolyn Friedlander

In doing this, it’s been a great exploration in texture, which I’m always a fan of. Handwork is the perfect way to feel out different types of fabrics, and that’s very much the case here. I have linen, sateen, quilting cotton and poplin. While it may not photograph spectacularly, in person you can see how the light plays differently on each of the fabrics. I can’t wait to get them all appliquéd, because I think the quilting will be really fun and can highlight the differences even more.

Wainwright QAL . Carolyn Friedlander

While my initial fabric pull included blacks and a range of greys, I’m now thinking I’ll separate the darkest from the lightest into separate final projects. For awhile I thought I’d make a pair of pillow shams, but now I’m thinking that I’ll do a pillow sham with the darkest stuff, and then a wall hanging–or something larger with the lighter stuff.

Wainwright QAL . Carolyn Friedlander

While cutting out the latest few blocks, I found myself wanting to make more and more pairings of the lighter guys.

Wainwright QAL . Carolyn Friedlander

And so, I think that’s what I’ll do!

Wainwright QAL . Carolyn Friedlander

For me this QAL was a great excuse to start another handwork project (like I ever need an excuse for that, ha!), to work with a new palette that I was curious about, to give myself a little something to relax with at the end of the day, AND to work along with you while doing it. If you followed along with the Eads QAL, you will have noticed that my goals were a bit different. For Eads, I had a goal to have a quilt top finished by the end of 12 weeks–and I’m SO glad that I did. That was a wonderful goal for that project, but in this case, I didn’t feel the same goal was necessary.

Wainwright QAL . Carolyn Friedlander

Having said that, I do like having goals and re-assessing progress where necessary. And so, I think that now that I have a better idea of what I want this project to shape up to be, and since we’re at a great point of assessment, I’m marking my calendar for a month from now to check back in with you on where I’m at with this guy. Goals are good, and I don’t want this guy to get lost.

Wainwright QAL . Carolyn Friedlander

Tips:

+ Appliqué is actually really strong. I’ve appliquéd plenty of tote bags and other items that get used and abused, and I am happy to report that my appliqués have remained in place! Of course, if you’re new to the technique and feeling unsure about the strength, you can always take it into consideration when planning your quilting. Feel free to quilt over any areas that cause concern, and you’ll be good to go!

+ Maybe you took on more of a project than you wanted? This isn’t a bad thing, in fact I think it’s great to be excited about a project. There’s nothing wrong with making changes down the road if you decide that a smaller project is better. I personally love making smaller things like pillow shams and tote bags because you really use them. In my case, I think I’m going the opposite way–having initially thought pillow shams, and now thinking that maybe a little something larger could be good. Either way, do what feels best for you!

+ I talked about how I wanted to use this project to push myself a bit. Sometimes I really like a challenge, but it’s always a balance. When I teach, I sometimes see people feeling like they have to push themselves, because they feel like it needs to be hard in order to learn. It totally doesn’t! I’m definitely a fan of doing whatever works for you and whatever feels right. If you’re feeling good in your comfort zone, go for it, or if you’re feeling good about giving yourself a nudge, go for that too!

I really appreciate you following along whether in spirit or in actuality! Seeing projects popping up in my feed makes me so excited and eager to sew.

carolyn friedlander project bag

As a thank you, I want to do a giveaway. I recently made up some project bags–with a Wainwright theme–that I sold at QuiltCon. I secretly saved a few, including 1 to giveaway at the end of this QAL. The rest will go up for sale in my shop on Tuesday at 10am EST.

To enter the giveaway, share with me your thoughts on this QAL or a thought on a recent project that you’ve been excited about by leaving a comment here before Monday, March 26 at 10am EST.

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WainwrightAL #5: Your Projects.

WainwrightAL #5: Your Projects.

Sometimes it’s good to take a step back from your own project and change the scenery! This is why I thought it’d be fun to see what others are working on. You guys are rocking this!

@andrea_nham

@andrea_nham with a really nice blue, green, grey and yellow thing happening. Bonus points for having a matching pouch!

@ayragon

@ayragon has loads of big blocks underway. There’s something nice about being able to see more of the prints at play in the larger format.

@bkimmerly

Speaking of prints…@bekimmerly is making good use of some fun prints. I like how she’s positioned the trees so nicely inside the shapes. Way to work the prints!

@blueskycrafter

@blueskycrafter just made it to a layout stage, and I know she must be satisfied to see everything all together. Even though it’s not my project, I’m feeling super satisfied for her–it’s looking great!

@brakmack1997

@brakmack1997 is really working the 2-color combo. I love how visually enticing it is to use just 2 fabrics. It’s such a fun play with the shapes.

@court9702

@court9702 is using lots of dots and stripes. It’s wonderful! I love how something like this can be completely timeless.

@nies_co_creations

Using all solids results in a totally different look. @nies_co_creations is using just the right mix of blues, it’s lovely to look at.

As for me, I’ll give you a good flashback to my first version.

Carolyn Friedlander . Wainwright Quilt

I stared at this thing SO much. Not only while cutting out each block, but also after each appliquéd row, I’d stand back and assess how it was looking. I might move one block here, another one there…maybe I’d swap out an appliqué or background each time… I love this way of working. You can see some of my extra pieces toward the bottom. I kept plenty of options open.

Tips:

+ Taking a step back can be great. It allows you some space to think of other things, which often brings a freshness back to your project.

+ Swap out your needle! It’s pretty amazing how you start to wear them down. Now that you’ve been sewing along, I’m sure you’re starting to pick up on the subtleties of everything you’re working with. Freshen that needle, and you’ll be amazed how much it will freshen your stitches.

+ You all gave me some watching recs, and here’s one that I’ve recently enjoyed. If you like houses in amazing locations, I just watched The World’s Most Extraordinary Homes on Netflix. Each episode is grouped by location–mountain, coast, etc, and they span locations all over the world. I like how beautiful the homes and locations are, as well as how they talk about building challenges, design advantages, and other stuff. Plus, one of the hosts is an architect and he does some pretty fun sketches on site to highlight aspects of the projects. It’s definitely a beautiful watch!

If you’re just now joining in and looking for a copy of the pattern, here’s a link to the digital version in my shop.

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WainwrightAL #4: Appliqué Progress.

WainwrightAL #4: Appliqué Progress.

Now that I’ve been spending a little bit of time with my blocks basting and appliquéing them, I’m finding myself thinking about all kinds of project variations. Do you do this too?

There’s something about thinking about and discovering new ideas when working on a project, which is probably why I like sewing so much. It gets my mind going.

Wainwright QAL . Carolyn Friedlander

This week specifically, I’ve been thinking about grouping my blocks and fabrics more tonally. Instead of having a lot of contrast within each block, I kind of like the idea of keeping things fairly similar. I reorganized my pairings to do this a bit.

Wainwright QAL . Carolyn Friedlander

Nothing is set in stone yet, but I am leaning towards making a pair of pillow shams at the end of this, and I kind of think it would be cool if they were split up by color. Maybe one has the darker blocks and the other has the lighter ones? OR, I could arrange them another way. For now, it’s fun to continue making blocks and dreaming about all the ways to put them together.

Have your projects been giving you ideas?

Tips:

Wainwright QAL . Carolyn Friedlander

+ Now that I’ve started appliquéing, I thought of another tip to share. You’ll notice in the pic above that I’ve basted all the way around the block. I like doing this because it allows you to baste continuously, and it holds the appliqué fabric to the background so nicely. You don’t actually need to appliqué those outer edges, but I like leaving the basting threads in place because they can hold all of your layers together until you end up sewing your blocks together.

+ Get cozy! Don’t be uncomfortable when doing handwork. I’m always positioning myself in the right chair, with the right foot stool, pillow, etc. so that I’m comfortable when I’m working. It’s never good to feel achy and sore! Make sure to get up and stretch out, move around often. I easily get locked into my project, so I have to remind myself to do this. Having plenty of tea/your favorite beverage on hand can force this. 🙂

+ Sidle up with friends or a good show/movie. Since I’m currently in between having a good show to watch, I’d love to hear some tips from you on something good to watch!

+ Inner points can be tricky, but they do get better with practice! In WainwrightAL #2, the last tip speaks to this. You can always head back over to check it out.

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WainwrightAL #3: Basting Progress.

WainwrightAL #3: Basting Progress.

While away from home, I’ve been basting away on my Wainwright–yay for portability!

Wainwright QAL . Carolyn Friedlander

The cool thing about it being basted is that it’s ready to go anywhere.

Last week I mentioned my palette for this QAL project, but here’s a better look. I’m using mostly greys and darker fabrics. I have added in some Kona solids, but I also have fabric from my botanics, euclid and gleaned collections as well as a print from Erin Dollar’s Arroyo collection. As I go, I might decide to add and/or subtract. That’s the beauty of it–you can see how things are looking and make adjustments as needed.

Wainwright QAL . Carolyn Friedlander

A note about cutting and arranging your pieces and templates. As noted in the pattern and in Week 1, the fabric ratio to keep in mind is that 1 square of appliqué fabric can yield 2 blocks. This means you’ll want to set aside 2 background blocks for each set of appliqué shapes that you cut. Personally, I find it helpful to grab 2 background fabrics when I grab 1 appliqué fabric to take to the ironing board to fold and press at the same time. This way I know I’m keeping my ratio in check. Of course, if I decide a background isn’t working, I may prep an extra or two later, but in general, I think this is a good way to start.

Wainwright QAL . Carolyn Friedlander

If you take a look at the cutting template, there are 3 (solid) cutting lines, and (dashed) lines to show how to align the template to your block. Make sure to align along folds and raw edges as noted. Once you cut the appliqué (your top shape) along the cutting lines, you will have 3 sections (that nest) to place onto your backgrounds. Take note that the small circular corner pieces don’t need to be used. They’re tiny.

Wainwright QAL . Carolyn Friedlander

The great thing about this stage is that you can really see how things will shape up. I like to cut things up and lay them out as I go so I can see how my fabric choices and shape mixing is working out. We have an 1/8″ seam allowance, so just keep in mind that there will be a little more space around your shapes as you stitch them down. For example, the black appliqué in the above photo (bottom, left) is actually 2 shapes with a cut line separating them–although it looks like one right now. The shapes match up before being stitched, but a gap between them will appear after each side is appliquéd. You can see this a bit better in my first version (below). The first few rows have already been appliquéd, and so you can see that gap appearing between the neighboring shapes.

Wainwright QAL . Carolyn Friedlander

Work in the way that feels good to you! For me, I like cutting and laying things out so I have a good idea, but if you prefer to cut and arrange in smaller sections, by all means do it! This is the beauty of appliqué, you can see how something is coming along before even sewing it together. You can see that I haven’t pinned anything down yet. Since I’m auditioning different shapes and fabric combinations, I keep things loose. Once I decide I like a combination, I pin them down with the appliqué pins, and then do my basting.

Wainwright QAL . Carolyn Friedlander

If you want to join in and need a copy of the pattern, you can find it here.

Otherwise, you are all posting some beautiful starts!

Tips:

+ Sometimes using a longer needle works well for basting. Because of basting not needing to be a super-short stitch, the longer needle can help you stitch along more quickly and easily.

+ Machine baste or hand baste? Both work, but I’m personally more of a fan of hand basting for a few reasons. One, it’s portable. Two, once you get comfortable doing it, I find it to be faster and much easier than navigating tricky shapes on the machine. Three, it’s more gentle on the fabric. If you are machine basting, make sure to use a fresh (sharp) needle. Four, hand basting is way easier to remove than machine basting.

+ Using a fun basting thread is just that–fun! I pretty much always use my Aurifil 1104 for basting–except for when my fabrics match 1104–which happens! I do love that color.

+ Basting stitches are temporary, so you do not need to knot them. Leave thread tails loose and on the top side of your work. This way you know exactly where they are when you’re doing your appliqué stitches later.

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WainwrightAL #2: Tool Updates and Travel.

WainwrightAL #2: Tool Updates and Travel.

appliqué supplies . carolyn friedlander

We’re moving along with week two! I’m seeing some great starts from many of you on instagram, and I’m moving along (quite literally) at QuiltCon in Pasadena. Since this is a traveling week for me and because handwork is super portable, I thought it’d be fun to put a slight travel twist on things. In addition to going over some of my favorite appliqué supplies, I’ll be making note of some of my favorite travel-friendly tips as well!

It’s been a little while since I’ve updated my appliqué tools-of-the-trade post, and really, not much has changed. Those are all still my favorite things, but I do have some updates to add in to the mix.

wainwright quilt appliqué supplies . carolyn friedlander

First, clover clips! With many of my appliqué designs being folded and cut multiple layers at a time, these little clips are super handy for holding everything together. There’s even a new set with a thinner profile, which is just perfect.

I also have an update with the thread conditioner. I’ve always liked it, but I’ve recently decided that it makes a bigger difference than I was maybe willing to admit. Full disclosure, I’d mostly gotten lazy and wasn’t using it as much in recent years. I always would have it with me, and I’d use it occasionally, but I’d generally just fallen out of the habit of using it. It’s an extra step–not a hard step, at all–but definitely a step that is easy to skip when you’re wanting to cruise through a project. When I was making my first Wainwright, I was having issues and decided to give it a try. Immediately I noticed a huge difference. It’s not that I didn’t notice a difference before, but I think that because I basically made Wainwright in a straight-shot marathon, it was much more noticeable how much of a difference it made. It makes it glide through the fabric much more easily. Without it, the thread feels like it’s dragging, not in a super obvious way, but definitely in an obvious way if you’re really in tune to the process.

wainwright quilt appliqué supplies . carolyn friedlander

Another big update is thread! Since my last appliqué supply post, some magical thread things have happened. Aurifil released their 80wt cotton thread, and it is my FAVORITE thread to use for hand appliqué. I still use their 50wt cotton to baste, but 80wt is the only thing I use for the appliqué itself.

wainwright quilt appliqué supplies . carolyn friedlander

And, I’m delighted to have my own appliqué thread set which I put together to cover pretty much all of the major colors you’ll need–or that was my goal anyway. (And I have some in the shop now too.)

Carolyn Friedlander Aurifil 80wt Thread Appliqué

One more new discovery that isn’t pictured is my new Daylight Slimline light. I’ll have to take some good pics once I get my handwork set-up back in order. I started seeing these lights at QuiltCon last year, and I was very intrigued. Unlike most of the sewing lights, they look really sleek. Plus they offer a wide bar of light that you can adjust in all kinds of ways. Eventually, I picked one up, and it sat in the box while I was making my first Wainwright. About halfway in, I realized that I wasn’t seeing things well, and so I opened the box and was immediately kicking myself for not having done so sooner. It is a game changer. It perfectly lit up my project and was easy to orient so that there were no shadows on my work–which was the issue I’d been having with my other lights. Now, I’m a massive convert. It’s worth the investment.

appliqué supplies . carolyn friedlander

To recap, you can read this post about my favorite appliqué supplies here while keeping in mind the updates mentioned above.

+ Thread for project (such as Aurifil Cotton 50wt for basting and Aurifil Cotton 80wt for appliqué)

+ Appliqué needles (such as Clover Gold Eye Appliqué Needles No. 10)

+ Appliqué pins (such as Clover Appliqué Size 12)

+ Large fabric scissors (such as Kai 7230 9″ tailoring shears, or these other favorites)

+ Small fabric scissors (such as Kai N5100 4″ scissors)

+ Removable marking tool (such as Pilot Frixion pen–always test on fabric before using)

+ Seam gauge (such as Dritz Measuring Gauge)

+ Iron

+ Heavy paper or template plastic (for copying template)

+ Thread Conditioner (such as Thread Heaven or beeswax)

Optional supplies: Thimble (I like the adhesive leather pads), needle threader

Finally, here’s a look at the fabrics that I’ve pulled…

carolyn friedlander wainwright quilt along

I’m wanting to go grey…so we’ll see! I think I’ll probably add in some solids too. Maybe.

carolyn friedlander wainwright quilt along

Tips:

+ Fabric tip – Solids vs Prints in appliqué: In general, solids hide less and prints hide more. If you’re new to appliqué, using a print–even a subtle one–can be a little more forgiving than a solid. Of course, if you’re most excited about solids and you’re a newbie, don’t let me stop you!

+ I always travel with my Nest Egg tote, the very first one I made in fact. It’s still going strong, and I really like how I can zip it up and throw it into my backpack. While on the plane, I take it out, and open it up on my tray table and work away.

nest egg tote and supplies . carolyn friedlander

+ Also handy when traveling is a fold-up thread catcher. The one I use was a gift, but I put together a quick tutorial for you that will be coming out tomorrow. Stay tuned…

nest egg tote and supplies . carolyn friedlander

+ The Aurifil smaller spools are my preferred travel-handwork thread, and the smaller version of the Petal Pouch by Noodlehead fits them perfectly.

Carolyn Friedlander Aurifil 80wt Thread Appliqué

+ This tip skips ahead a little bit, but I know that many of you have already started your appliquéing, and so I hope it will be helpful. Inner points in appliqué can be tricky to turn when you’re just starting out. This is easily the step/shape I demonstrate most in workshops, and while it is helpful to see it in action, it’s also a case of practice really being the key to making it easier. I promise! This is also why I like designs like this, because they can give you great practice in tackling such shapes. After doing several of these, you’ll no doubt see improvement. It is helpful to see this step in action, and so I’ll highlight my Appliqué Quilt Top class on Creative Bug–which you can find here. This block has many tricky inner points, which makes it a great one to watch for seeing how to do it. Hope that helps!

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WainwrightAL #1: The Pattern and The Plan.

WainwrightAL #1: The Pattern and The Plan.

To kick things off, I thought it would be appropriate to talk a bit more about the pattern, and then my plan for moving forward with my own project as well as in general. Plans are good, being excited about them might be better.

First, the pattern. Wainwright was inspired by and named after the Wainwright building in St Louis. If you’ve seen it or other Louis Sullivan buildings, you know that the ornamentation is incredible. There are so many beautiful motifs, and it was easy to become very inspired.

Wainwright Building . St Louis, Missouri

As a quilt, I love appliqué patterns that offer a lot of design possibilities, are fun to sew (because you’ll be getting right in there with it), and can be easy to travel with. With this one, I went for all of that by taking one basic motif and breaking it up in a way that could be mixed and matched among the blocks and with few or many fabrics.

Wainwright Quilt . Carolyn Friedlander

Appliqué projects are always great for finding new color and fabric combinations, because once you cut out the shapes and layer them on a background, you can actually see what it’s basically going to look like. How cool is that? If you aren’t liking it, you can easily make a change by swapping out the background or by changing the appliqué (the top layer, or the shape). This is probably why I always have SO many appliqué projects cut out–because it’s way too tempting to cut them out to see what an idea will look like.

With this first version, I was most excited about using my new Gleaned collection and its coordinates. I used pieces from all of it.

gleaned fabric collection . Carolyn Friedlander

gleaned fabric architextures coordinates . Carolyn Friedlander

Appliqué projects can be great for fussy cutting motifs and making use of special stuff–like the special selvage treatment in some of my newest prints from Gleaned. You can see snippets of this stuff in many of my blocks.

gleaned fabric collection . Carolyn Friedlander

If you’re planning to take advantage of this, just make sure to position any special motifs where you want them in the squares that you’ll be cutting out. Both the background and appliqué pieces are cut from regular squares, so you can use the shape and size of the square to get your fabric positioned how you want it. Just keep in mind your 1/4″ seam allowances for sewing the blocks together and the 1/8″ seam allowances for appliqué (which yes, is plenty of seam allowance).

Back to the project.

Wainwright Quilt . Carolyn Friedlander

There are two block sizes to this project–small and big. This first version uses only small blocks.

Wainwright Quilt . Carolyn Friedlander

The small blocks are nice for a few reasons. First, you will need more of them, which means you can incorporate more fabric combinations and pairings. Second, smaller-sized blocks are pretty easy to handle and relatively speedier than larger ones.

Wainwright Quilt . Carolyn Friedlander

The pattern also includes a larger-block option, which is what I incorporated into the second version that I made.

Wainwright Quilt . Carolyn Friedlander

In this version, you can see how the sizes compare, because I used them together. I sized the blocks specifically to work this way, but of course, you can use them however you’d like! Just how my first version uses all small blocks, you can totally make a version with all big blocks. Or, you can mix them up. The possibilities are yours.

Big blocks are great because fewer of them make a larger project. They can also be a better format if you’re working with a larger print, and expanded shapes mean everything is extruded and therefore slightly easier technically if you’re just getting into the technique. If you’re curious, try one of each, and see what you think.

Wainwright Quilt . Carolyn Friedlander

You’ll also notice that in this version I took a totally different route with the fabric. Instead of using tons of different fabrics, I used only two–this from Gleaned and this coordinate. The cool thing about this approach is that it really emphasizes the variety of shapes and sizes in the design.

Wainwright Quilt . Carolyn Friedlander

The main thing that you can keep in mind with regard to either option is that the pieces cut from 1 appliqué square can be used for 2 blocks. Split them up and mix them about as you wish!

Wainwright Quilt . Carolyn Friedlander

Now that you’ve seen my two versions, I hope that you’re excited to start mapping out your own! As for me, I’m planning to use small blocks in my next version–I love this size. To be totally upfront, I’m not entirely sure what final size (or even project type) that I am going for. I might make a pair of pillow shams…or I might do a wall hanging…I don’t know. I’m leaving that decision for later since I know I can adjust things as I go. I do have some fabrics pulled, but I think I’ll save that for next week.

Finally, I don’t want anyone stressing over this project. Handwork is usually my way to relax, and so I want this WainwrightAL to foster that same mood for you. Personally, I really liked the idea of using this QAL as a way to have an enjoyable something to work on in the background of my own life, and I hope that you find it fitting nicely into your life as well. Let’s use this time together to have fun, to enjoy each other and to enjoy playing with our fabric.

If you still need a copy of the pattern, you can find one here or checking with your local shop or favorite online retailer.

Wainwright quilt in Gleaned Fabrics . Carolyn Friedlander

Tips:

+ The project layout pages can totally be used as coloring pages. Either make copies as needed, OR use tracing paper over the top of them (since the layouts are already shaded) to explore your color/fabric ideas!

+ If you’re stalling out over fabric/color ideas, I always just go with my gut. Pulling fabric for a new project is massively exciting, but it can easily get out of control and lead to project paralysis. Instead of getting overwhelmed, take a step back and think about what’s most exciting to you. Start there, you can always make changes and adapt as you move along.

+ If you’re new to appliqué, not to worry! It’s fun and shouldn’t be intimidating. Everything gets easier with practice, especially this. This project is also perfect for anyone just getting started. I won’t be going over the exact technique since it’s outlined in the pattern, but I do have some classes on Creative Bug that fully walk you through the process. Here’s a link to my classes on Creative Bug.

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Sessoms Quilt In Gleaned Fabrics.

My Sessoms quilt was one of my very first patterns. It’s a design that I’ve enjoyed making through the years, as well as one that I’ve enjoyed seeing others make. For many reasons, it’s been a long time coming to make a new one, update the printed version and translate the pattern into a digital format.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

First, I have to credit two people for making this quilt happen. Ellen Rushman pieced the quilt, and Gina Pina quilted it. I’m so appreciative of these super talented ladies for bringing this project to life.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

When I first opened the box from Gina after she quilted it, I actually gasped. Of course I’d seen pictures during the process, but there’s nothing like seeing a project for the first time in real life. The colors, piecing and quilting felt so bright and cheerful, which at the time was very welcome. I was still in hurricane-Irma-recovery mode, and seeing this quilt totally made me forget about everything that had happened.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

The design was inspired by some lattice-work on Sessoms Avenue in my hometown–a street where my Dad grew up. I love bringing a change in color and fabrics to a repeated block. There’s something special about seeing the changes across the surface of the quilt.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

The fabrics are all from my newest collection, Gleaned, and the background is one of the new Architextures crosshatch colors. I’ve been using this particular color a lot! It’s a pale grey-ish green that I’ve found to match just about everything.

Sessoms Quilt . Gleaned Fabric . Carolyn FriedlanderThe pattern is kind of neat because it works with a 2 1/2″ roll-up and/or 5″-square pack, so it’s pretty easy to attain a colorful gradient–you could just work the fabrics in order off the roll.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

The quilting motif was inspired by ripples in a pool. I’ve been totally obsessed with the motif ever since Gina posted a picture showing it. Sometimes I really like how democratic an overall quilting pattern can function in a project, and this a great example. The quilting adds an evenness to the quilt that doesn’t compete with the piecing, but it also lends a relevant texture. I just really like it.

Sessoms Throw Quilt Pattern . Carolyn Friedlander

That’s Sessoms.

Big thanks to Ellen and Gina for making it happen. And another big thanks to Lexi at Greenprint Photography for snapping these great pics.

Pattern : Sessoms Quilt

Fabrics : Gleaned, Architextures

Sessoms Quilt . Quilt Market 2017 . Carolyn Friedlander

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