Tag Archives | thread

Light and Dark Thread Sets with Aurifil.

I have some new light and dark thread sets with Aurifil.

Aurifil Carolyn Friedlander Light/Dark Mix Thread Set

The idea for these sets came about when working on my latest collection. Instead is very palette-focused, and I found myself using predominantly dark threads for not just the visible stuff, but also for the piecing. That got me thinking about how handy (and beautiful) it would be to put together a couple of thread sets that speak to a color palette in a well-rounded and useful way.

Meet my new Light Mix and Dark Mix thread sets with Aurifil.

Aurifil Carolyn Friedlander Light/Dark Mix Thread Set

Both collections are loaded up with a mix of 50wt, 80wt and 12wt cotton threads from Aurifil–a useful mix for many things.

Aurifil Carolyn Friedlander Light Mix Thread Set

I thought long and hard about what would be most useful in a set like this, and I decided that having 2 light shades of 50wt, 3 shades of 80wt and 5 shades of 12wt could give you some great possibilities.

Aurifil Carolyn Friedlander Light Mix Thread Set

50wt is what I like to use for machine or hand piecing, machine quilting and hand basting. Since it’s not always seen, I selected what I think are the handiest options in light and dark ranges. The light mix has a white and my favorite light gray. The dark mix has black and my favorite dark gray.

Aurifil Carolyn Friedlander Dark Mix Thread Set

80wt is my must-have thread for hand appliqué. The fineness of it just disappears into your project. It generally features a slightly more prominent role than the 50wt, and so each set has 3 colors included. The light mix features white, light gray and a light yellow.

Aurifil Carolyn Friedlander Light Mix Thread Set

The dark mix includes black, dark gray and navy.

Aurifil Carolyn Friedlander Dark Mix Thread Set

With the 12wt thread being so great for big stitch hand quilting, there are 5 spools in each set. That gives you some creative options! Whether you’re going for a highly contrasting color or you’re wanting to match things up, the threads that you quilt with can be a wonderful detail full of texture and color.

The light set includes pale shades of melon, peach, lilac, blue and mint.

Aurifil Carolyn Friedlander Light Mix Thread Set

The dark set includes deep tones of hunter green, denim blue, navy blue, plum and spice.

Aurifil Carolyn Friedlander Dark Mix Thread Set

These threads are fun, because light threads don’t only have to be for light projects, and dark threads don’t only have to be for dark projects. Mix it up!

Both of the new sets are in the shop, and I was also able to restock some of my previous collections that are now discontinued. You can grab them while there are some left!

Aurifil Carolyn Friedlander Light Mix Thread Set

Check out Carolyn Friedlander Light Mix thread set for Aurifil.

Check out Carolyn Friedlander Dark Mix thread set for Aurifil.

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Thread Tips and Tricks.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

With the launch of my recent collaboration with Sew Fine Thread Gloss, I thought it might be handy to throw some thread tips into a blog post. There are some super easy things that can make a huge difference.

  1. Work the thread in the proper direction, which is the direction that it is spun. Doing so will result in fewer knots. This might sound tricky and overly technical, BUT it’s super easy in practice and can just be a matter of creating a new habit. Here’s what you need to do; if you’re right-handed, knot the end of thread that you cut, and if you’re left-handed, knot the first end off the spool (or NOT the end that you cut). Keep in mind that this trick works with factory-wound spools and not any bobbins that you have wound yourself (because they’ve been re-wound in the opposite direction).
  2. How’s that thread length? If you’re having problems with knots, and you’ve already adjusted your knotting routine (see #1), then you might consider cutting a shorter length of thread. A shorter length might also be needed if your threads are starting to shred or thin out in the middle while you work. There’s always a balance between getting the maximum length of thread so that you’re not stopping and starting unnecessarily, BUT not too long that it’s wearing out the thread or getting knotty from all of the wear and excess length. Handwork is easily adaptable thanks to our ability to adjust the many variables in the process. Length is an easy adjustment to tinker with until you find what works best for you, the project and the materials. In general, I shoot for a thread length of 18″-24″.
  3. Work that thread conditioner! Yep, it makes a difference. I used to go back and forth on the subject–mostly because it was easy to get lazy over an extra step, but after so much handwork, I’m firmly on the side of using thread conditioner. While it is an extra step, doing it pays off in ease of use which in the end makes me feel like I’ve saved time and loads of frustration. My thread conditioner preference is the beeswax-based Sew Fine Thread Gloss, and I have some special collaborative scents available in the shop that you can find here.
  4. Tools and materials matter, especially when it comes to handwork. Always use the best tools and materials that you can. The reason I decided to stock some of my favorite scissors, thread and thread conditioner is because I believe in them, and I know how much they’ve helped me.

aurifil 80wt appliqué thread set . carolyn friedlander

Oh, and I just created a couple of quick thread knotting videos if you’re interested. First up is a Garment Knot, which I like using after conditioning my thread and before starting my appliqué.

And if you’re up for another good knot, here’s how you make a Quilter’s Knot.

Do you have any favorite thread tips? Feel free to share!

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Collaboration with Sew Fine Thread Gloss.

I have some fun news–I’m very happy to announce a collaboration with Sew Fine Thread Gloss!

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

To start, I never imagined how exciting thread conditioner could be. For the last several years, I’ve used Thread Heaven–a silicone based thread conditioner, which–for the record–is very nice. If you’re using Thread Heaven and you’re happy with it, that’s totally great.

But as many of you might know, the owners of Thread Heaven have retired, and they decided not to sell their special recipe. A pot of Thread Heaven is one of those supplies that I feel like takes decades to run out of, and so I wasn’t initially concerned about running out. But as an increasing number of students began to express panic over the situation and then ask me about alternatives, it seemed reasonable to keep my eyes open for other options.

It was somewhat serendipitous when Jenn of Sew Fine Thread Gloss reached out to me about her Thread Conditioner. In general I’m very hesitant to take samples of products that I haven’t tried before. There’s nothing worse than having to judge a product when there’s even a speck of obligation, and that was definitely not going to be the case here.

Harriot Hand Sewing . Carolyn Friedlander

With Jenn’s product, I was really curious to try it. She sent me a few of her scents, and at first, I wasn’t sure why I’d want my project to have a smell to it (which by the way, they don’t)…but, I’ve since changed my mind on that, which I’ll get back to in a minute.

To be very honest, the first time using it felt a little weird. After using a silicone-based conditioner for so long, the beeswax felt clunky and full of drag. It even made a different sound going through the fabric. (I know, I’m a total nerd and do too much handwork that I’m breaking down the sound of it.) Determined to give it a fair shake, I kept going and it quickly started to change my mind. I was doing this super-lame thing of alternating Thread Heaven and Sew Fine each time I changed thread, and before too long I realized that I was preferring the Sew Fine.

There’s a heartiness to it that seems to result in fewer knots than with the Thread Heaven. While I was starting to prefer that, I was also learning to adjust my preferences a bit. When using Thread Heaven, I would usually thread my needle first and then use a Quilter’s Knot before applying the conditioner. With Sew Fine, I switch it up. I wax my thread first, then thread my needle before making a knot by way of a Garment Knot instead. Of course, this is what I find to work well for me, but feel free to try different things to get the mix that works best for you!

Harriot Hand Sewing . Carolyn Friedlander

As for the scents, I quickly started to love them. Jenn formulates everything to a respectable strength that is gentle, fun and not overpowering. I’m pretty sensitive to smell, and so I appreciate her formulation.

Harriot Hand Sewing . Carolyn Friedlander

In addition to the smell being quite pleasant, I discovered that there was something motivating about changing the scent as you move along with your project. I’ve done a lot of handwork projects over the last 10 months, and it has totally amazed me how refreshing it can be to swap out the scent on a project as you go. Like when I was working on Hunt, appliquéing through the various colors kept it visually engaging, but the scent changes that I made along the way added a whole new sensory to the experience. Even now, I have a real debate with myself everytime I pull out some handwork, because I need to decide what scent mood I want to be in while working on the project.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

All of this is very nerdy, but if you’re like me, it’s these little details that make sewing such a captivating experience.

In addition to all of that, Sew Fine Thread Gloss is made with locally sourced beeswax that has NOT been chemically processed. It is handmade in small batches just outside Ottawa, Ontario, Canada. The light amber color is attributed to this wax being very natural and only one step away from the hive, with absolutely no bleaching or other additives. The beeswax is filtered just once to separate it from the honey and from any leftover hive particles–which I just love.

Plus, the woman behind Sew Fine, Jenn McMillan cares deeply about her product and has been a total delight to work with.

On the collaboration! Together, Jenn and I came up with 3 new scents–each of which is a little different, but all of which are clean smelling and enjoyable to use.

First up is Sencha.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

To say that I’m a green tea fan is kind of an understatement. (I’m drinking green tea as I write this!) My strong love for it made scents related to it top of my mind.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

The Sencha blend has a green tea focus, but it also has hints (to me) of gardenia or even orange blossoms. (This is probably why I’m so drawn to it!) The result is super fresh and very verdant.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

I should add that it’s quite hard to describe a scent. After having friends and family smell many samples over the last few months, I know that we each seem to connect with smell in our own ways. It’s very interesting.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

The labels were also really fun. Jenn had the idea of throwing some of my fabric designs on there, which I just love. Plus, it was fun to think about which prints might go well with which scents.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

Next up is Citrus & Sage. It’s pretty dreamy and very bright smelling.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

I’d say that the citrus-ness comes forward first, but then there’s a very mild herbaceous-ness that grounds it a bit. This one might be the one that seems to have piqued the interests most of my friends and family who have been sniffing all of my samples.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

The third scent in our collaboration is Tea Flower, which I know…another tea-related scent, but I couldn’t help myself. It’s so good and quite different from Sencha.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

This guy is a crisp and complex blend featuring a fresh aroma of green tea with long-lasting sweet and citrusy middle notes. In comparing Tea Flower and Sencha, Tea Flower (to me) has more of a sweet, floral quality, whereas Sencha is more verdant and almost grassy.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

I’d say that all of the scents have a nice cleanness feel to them. Jenn does such a good job formulating the scents so they do not overpower. I find the level of scent to be just right.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

While all 3 of these new, collaborative scents are in the shop (individually and as a set), I also thought it would be nice to offer up Jenn’s Natural gloss. I have grown to love using scented thread conditioner, but I also completely understand that that may not be the case for everyone or for every project. Natural has no additional fragrances added, and the familiar scent of beeswax and honey is delicate and modest.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

SO, you can nab some of this in my shop too!

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

Yay, yay!

It was so much fun working with Jenn on this project. It’s honestly my favorite conditioner to use, and I find that it makes such a big difference. My hope is that you will enjoy using it too.

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

Oh, and while putting together this post, I realized how much I like nerding out over thread. (Ok, maybe not new news…) And so I’ve created a follow-up post with some thread tips and tricks for you. Enjoy!

Collaboration with Sew Fine Thread Gloss . Carolyn Friedlander

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