WainwrightAL #3: Basting Progress.

WainwrightAL #3: Basting Progress.

While away from home, I’ve been basting away on my Wainwright–yay for portability!

Wainwright QAL . Carolyn Friedlander

The cool thing about it being basted is that it’s ready to go anywhere.

Last week I mentioned my palette for this QAL project, but here’s a better look. I’m using mostly greys and darker fabrics. I have added in some Kona solids, but I also have fabric from my botanics, euclid and gleaned collections as well as a print from Erin Dollar’s Arroyo collection. As I go, I might decide to add and/or subtract. That’s the beauty of it–you can see how things are looking and make adjustments as needed.

Wainwright QAL . Carolyn Friedlander

A note about cutting and arranging your pieces and templates. As noted in the pattern and in Week 1, the fabric ratio to keep in mind is that 1 square of appliqué fabric can yield 2 blocks. This means you’ll want to set aside 2 background blocks for each set of appliqué shapes that you cut. Personally, I find it helpful to grab 2 background fabrics when I grab 1 appliqué fabric to take to the ironing board to fold and press at the same time. This way I know I’m keeping my ratio in check. Of course, if I decide a background isn’t working, I may prep an extra or two later, but in general, I think this is a good way to start.

Wainwright QAL . Carolyn Friedlander

If you take a look at the cutting template, there are 3 (solid) cutting lines, and (dashed) lines to show how to align the template to your block. Make sure to align along folds and raw edges as noted. Once you cut the appliqué (your top shape) along the cutting lines, you will have 3 sections (that nest) to place onto your backgrounds. Take note that the small circular corner pieces don’t need to be used. They’re tiny.

Wainwright QAL . Carolyn Friedlander

The great thing about this stage is that you can really see how things will shape up. I like to cut things up and lay them out as I go so I can see how my fabric choices and shape mixing is working out. We have an 1/8″ seam allowance, so just keep in mind that there will be a little more space around your shapes as you stitch them down. For example, the black appliqué in the above photo (bottom, left) is actually 2 shapes with a cut line separating them–although it looks like one right now. The shapes match up before being stitched, but a gap between them will appear after each side is appliquéd. You can see this a bit better in my first version (below). The first few rows have already been appliquéd, and so you can see that gap appearing between the neighboring shapes.

Wainwright QAL . Carolyn Friedlander

Work in the way that feels good to you! For me, I like cutting and laying things out so I have a good idea, but if you prefer to cut and arrange in smaller sections, by all means do it! This is the beauty of appliqué, you can see how something is coming along before even sewing it together. You can see that I haven’t pinned anything down yet. Since I’m auditioning different shapes and fabric combinations, I keep things loose. Once I decide I like a combination, I pin them down with the appliqué pins, and then do my basting.

Wainwright QAL . Carolyn Friedlander

If you want to join in and need a copy of the pattern, you can find it here.

Otherwise, you are all posting some beautiful starts!

Tips:

+ Sometimes using a longer needle works well for basting. Because of basting not needing to be a super-short stitch, the longer needle can help you stitch along more quickly and easily.

+ Machine baste or hand baste? Both work, but I’m personally more of a fan of hand basting for a few reasons. One, it’s portable. Two, once you get comfortable doing it, I find it to be faster and much easier than navigating tricky shapes on the machine. Three, it’s more gentle on the fabric. If you are machine basting, make sure to use a fresh (sharp) needle. Four, hand basting is way easier to remove than machine basting.

+ Using a fun basting thread is just that–fun! I pretty much always use my Aurifil 1104 for basting–except for when my fabrics match 1104–which happens! I do love that color.

+ Basting stitches are temporary, so you do not need to knot them. Leave thread tails loose and on the top side of your work. This way you know exactly where they are when you’re doing your appliqué stitches later.

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2 Responses to WainwrightAL #3: Basting Progress.

  1. Jocelyn Renee' Turner March 14, 2018 at 5:33 pm #

    Carolyn, I find after cutting my template fabric out, I have three different pieces that can be appliquéd on backgrounds. I posted a photo on #wainwrightal. Is that correct?

    • carolyn friedlander March 16, 2018 at 12:46 pm #

      Hi Jocelyn! I think I found your photo, but you’ll just want to make sure to align your template with the raw edges and folds as described on the template itself. This will ensure you get the right shapes. Good luck!

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